Monthly Archives

August 2018

#BlockbusterBeat by Daniel Gorman Film

BlacKkKlansman | Spike Lee

August 21, 2018

Spike Lee’s BlacKkKlansman tells the story of a black police officer in 1970s Colorado who infiltrated the Ku Klux Klan. But Lee is also telling the story of a current America that has not grown or progressed — not really — and forcing us to recognize that the film could have been released at virtually any point in the last few years and been just as timely, just as horrifically attuned to the zeitgeist. Trayvon Martin was shot over six years ago; the NFL…

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by Eudaimonia Feature Articles Music

εὐδαιμονία | Issue I

August 17, 2018
Eud 1

In an effort to reboot our music coverage, In Review Online is launching monthly features devoted to reviewing new album releases. The first of these features debuted on Wednesday. Today, we’re launching εὐδαιμονία (or, Eudaimonia), which we present in collaboration with the upcoming quarterly journal of the same name, and which will spotlight five worthwhile contemporary music releases, plus one older one, with no genre boundaries. Issue #1 features a new project from Atlanta rapper Future; albums from two electronic artists (Laurel Halo and Pariah); progressive metal band Deafheaven’s fourth…

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#BlockbusterBeat by Matt Lynch Film

Mile 22 | Peter Berg

August 16, 2018
Mark Wahlberg stars in MILE 22

Releasing a steady stream of vaguely jingoistic docudramas all starring Mark Wahlberg as a hero/patriot, Peter Berg has become a bit of a joke as a filmmaker over the last few years. So it’s easy to forget that, even given their fluctuating levels of overall quality, earlier Berg efforts like Lone Survivor, Deepwater Horizon, The Kingdom, and yeah even Battleship were at least crafted superbly, from a technical standpoint; sported effectively-cast supporting ensembles; and above all featured action sequences that displayed a tight command…

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by Joe Biglin by Paul Attard Feature Articles Music

What Would Meek Do? | Issue 1

August 15, 2018

In an effort to reboot our music coverage, In Review Online is launching monthly features devoted to reviewing new album releases. The first of these features to debut is What Would Meek Do? — in which Paul Attard and Joe Biglin run down some of the latest rap releases. The first issue of What Would Meek Do? features their takes on some blockbusters (Travis Scott’s Astroworld, Drake’s Scorpion, The Carters’ Everything Is Love), up-and-coming artists (the 88rising label compilation Head in the Clouds, Denzel Curry’s TA13OO), and rappers who should…

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#BlockbusterBeat by Matt Lynch Film

The Meg | Jon Turteltaub

August 10, 2018
The Meg

Here’s a movie about Jason Statham fighting a gigantic killer prehistoric shark. That’s all it is. The Meg spends not much time setting up its premise (lifted from Renny Harlin’s Cliffhanger), with Statham’s washed up deep-sea rescue diver being pressed back into service after an on-the-job tragedy. We’re barely 20 minutes in before he’s had his first encounter with the movie’s namesake (short for Megalodon, a thing wikipedia tells me is real but not nearly as big as this stupid movie claims).…

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by InRO Staff Festival Coverage Film

Japan Cuts 2018

August 3, 2018
Japan Cuts 2018

Japan Cuts—the largest program of new Japanese films in North America—just wrapped its 12th annual edition earlier this week. Our one and only dispatch from the fest this year includes a passion project from octogenarian auteur Nobuhiko Obayashi (Hanagatami), a new work from iconoclastic anime director Masaaki Yuasa (The Night Is Short, Walk on Girl), the festival’s opening night film (Eric Khoo’s Ramen Shop) and its centerpiece presentation (Shûichi Okita’s Mori, the Artist’s Habitat).…

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