Daily Archives

November 19, 2018

#StreamingScene by Lawrence Garcia Film

The Ballad of Buster Scruggs | Joel & Ethan Coen

November 19, 2018
balladbuster

Composed of six dime-store tales from the frontier — complete with color plates! — and boasting an appropriately storybook feel (courtesy of cinematographer Bruno Delbonnel, who helms this first foray into digital), The Ballad of Buster Scruggs articulates, with ruthless efficiency, Joel and Ethan Coen’s bleak, sobering worldview. The result is “downright Archimedean,” to borrow from Buster Scruggs himself (Tim Blake Nelson), a preternaturally jolly psycho-killer who wreaks gleeful havoc all over the film’s first episode.…

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#StreamingScene by Matthew Lucas Film

Cam | Daniel Goldhaber

November 19, 2018
Cam

A suspicious charge on a credit card, a call from the bank — few among us haven’t experienced this. Mostly the notifications cause minor inconvenience, but that isn’t always the case. Set in the world of “cam-girls” — women who perform sexual acts in online chat rooms for money — Daniel Goldhaber’s feature debut, Cam, derives its horror from the all-too-real idea of a total identity theft, enacted through means of the digital world.…

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#StreamingScene by Zach Lewis Film

Zama | Lucrecia Martel

November 19, 2018
Zama

Antonio di Benedetto’s novel, Zama, is renowned for its simplicity, with most paragraphs a mere sentence in length; Lucrecia Martel’s film adaptation is full of detail. Where di Benedetto cuts descriptions short (even principal characters are dubbed “mulatto”), Martel fills every extended shot with sumptuous color and soundscapes. And where, at every point, di Benedetto skirts realism with blunt mystical phenomena, Martel builds surreality out of unexplained shifts in tone and volatile pacing.…

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#StreamingScene by Lawrence Garcia Film

The Wild Boys | Bertrand Mandico

November 19, 2018
The Wild Boys

The Wild Boys opens with a shimmering black-and-white title card, an homage to Kenneth Anger’s Fireworks, and voiceover that soon takes the viewer back to the violent origin of this delirious, gender-bending tale. Fueled by an impulse dubbed only “TREVOR” (which may stand in for hormonal adolescent fervor, violent masculine tendencies, or both), a group of five pubescent boys (all played by women) assault and murder their literature teacher in an orgiastic recreation of Macbeth.…

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