Monthly Archives

April 2019

#StreamingScene by Daniel Gorman Film

Unicorn Store | Brie Larson

It’s really not clear why Oscar-winning actress Brie Larson would want to cash-in her awards clout on a hopelessly muddled slog like Unicorn Store. Filmed ages ago, the film has been sitting on a shelf since at least 2017, only finally being released now, presumably,…

April 17, 2019
#StreamingScene by Chris Mello Film

Drift | Helena Wittmann

The narrative framework of Helena Wittmann’s Drift revolves around two women, each going their own separate ways after spending some time together in northern Germany. One of the women intends to return home to Argentina; the other, who Wittmann’s film spends most of its time with, sails…

April 17, 2019
#KickingtheCanon by Lawrence Garcia Film

Deep Red | Dario Argento

In Dario Argento’s Deep Red, the piercing visions of a Jewish-German telepath (Macha Méril) serve as an embodiment of this Italian master’s worldview: to look is to know, and to know is to feel. As in Michelangelo Antonioni’s Blow-Up before it, a murder (here it’s Méril’s imperilled seer)…

April 11, 2019
Before We Vanish by InRO Staff Feature Articles Film

Before We Vanish | Issue 3

OK, so things don’t really vanish anymore: even the most limited film release will (most likely, eventually) find its way onto some streaming service or into some DVD bargain bin assuming that those still exist by the time this sentence finishes. In other words, while the title of In Review…

April 10, 2019
#BlockbusterBeat by Daniel Gorman Film

Gloria Bell | Sebastian Lelio

Sometimes the determination between an actor’s successful and unsuccessful work comes down to context, like the ensemble of actors surrounding them, and sometimes it’s about the writing. But some movie stars simply ‘are,’ and one responds to their presence. We tend to value physical manifestations of…

April 8, 2019
In Review | Online film and music criticism