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#StreamingScene by Zach Lewis Film

Scoob! | Tony Cervone

On September 27, 2014, the CW Network cut animation out of their Saturday morning bloc. They were the last network to do so. It was replaced with live-action family-friendly series, mirroring a general trend away from expensive, skilled labor needed for cartoons and toward…

May 22, 2020
#KickingtheCanon by Paul Attard Music

Roscoe Mitchell Sextet | Sound

What’s the difference between music and noise? Besides general semantics, the two terms are perceived to create something of a dichotomy in relation to one another; often when trying to pass critical judgment on the sonic qualities of a recorded piece, there’s a tendency…

May 19, 2020
#KickingtheCanon by Daniel Gorman Film

New Rose Hotel | Abel Ferrara

For virtually his entire career, Abel Ferrara has seemed to occupy a liminal space in film criticism, not unlike the spaces his characters seem to so often find themselves in — seedy bars, brothels, hotel rooms, all way stations on the road to nowhere.…

May 13, 2020
#KickingtheCanon by Ryo Miyauchi Music

Mary J. Blige | My Life

After writing the early blueprint for ’90s R&B, Mary J. Blige laid out her own musical foundations on 1994’s My Life. The influence of hip-hop began to seep into R&B by the end of the ’80s  —  a period that soon saw Bell Biv…

May 12, 2020
#KickingtheCanon by Paul Attard Film

Blue | Derek Jarman

Classifying Blue strictly as a piece of cinema seems like a rather odd distinction, considering Derek Jarman breaks the cardinal sin of the medium by removing any and all moving images from his final product. Instead, we’re given only one image — or, only…

May 7, 2020
#StreamingScene by Daniel Gorman Film

Extraction | Sam Hargrave

Since being plucked from relative obscurity by uber-producer Kevin Feige, the Russo brothers, Joe and Anthony, have become two of the most commercially successful directors of all time. They now seem determined to emulate their former boss, albeit on a smaller scale. Creating their…

May 5, 2020
#KickingtheCanon by Alec Lane Music

Emmylou Harris | Wrecking Ball

Widely hailed as a major turn in Emmylou Harris’s already illustrious career, the 1995 album Wrecking Ball found the beloved country artist exploring new avenues in production while reinforcing her ability to command the intricate arrangements — ultimately deepening her power to bring an…

May 4, 2020
#KickingtheCanon by Tanner Stechnij Music

Pavement | Crooked Rain, Crooked Rain

During their ten-year stint as a recording band, Pavement showcased a talent for evolutionary steps with markedly small adjustments. On paper, there are a lot of commonalities between Slanted & Enchanted — their lo-fi, noisy 1992 debut album, plenty canon-worthy in its own right —…

May 1, 2020
#StreamingScene by Daniel Gorman Film

Vivarium | Lorcan Finnegan

My wife and two children have been at home since March 14th. I worked until the 17th, as my company waffled back and forth over reducing hours of operation before finally giving up and shutting its doors entirely, furloughing all employees until further notice.…

April 30, 2020
In Review | Online film and music criticism