Features

by InRO Staff Features

Quick Takes on Albums 2017 – Quarter 1

May 19, 2017
Giddens_Rhiannon

Continuing from last week’s film coverage, InRO now turns its focus to highlighting memorable music releases in 2017 so far. This includes a labeled “playlist” from Canada’s Own, a collection of covers from a recent Nobel Laureate, and the 61st album from a country legend.…

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by InRO Staff Features

Quick Takes on Film 2017 — Quarter 1

May 5, 2017
SongtoSong

2017—so far at least—hasn’t been spectacular. In between the deaths of beloved auteurs like Jonathan Demme and Seijun Suzuki, you had 25 beating Lemonade at the Grammy’s, Tom Brady smugly winning another Super Bowl, and Donald Trump being sworn into office (this one might be a little worse than those other two). But as Lil Yachty once…

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by InRO Staff Features Festival Coverage

New Directors/New Films 2017 – Dispatch 2

March 29, 2017
Person to Person

The 46th edition of New Directors/New Films concluded this past Sunday with Dustin Guy Defa’s much-discussed Person to Person. Our final dispatch from the festival takes a look at Guy Defa’s “pleasantly low-key” film; tries to parse the intensions of Alain Della Negra and Kaori Kinoshita’s docu-drama hybrid on a UFO-worshipping cult; revisits Angela Shanelec’s film festival whatsit The Dreamed Path, as well as another oddity of “macro- and micro-fictions” from independent Thai filmmaker Anocha Suwichakornpong; and plenty of others. Check it all out below. Many ND/NF entries have demonstrated an admirable scale in their ambitions, but…

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by InRO Staff Features Festival Coverage

New Directors/New Films 2017 – Dispatch 1

March 20, 2017
autumn autumn

The 46th edition of New Directors/New Films kicked off last Wednesday (March 15th) and ends this Sunday (March 24th). For our first of two dispatches from the festival, we look at a “cheeky” documentary about falconry; a “formally assured, but familiar” new film from It Felt Like Love director Eliza Hittman; a movie about Chinese immigrants in Argentina that is, appropriately, built around an understanding of language; Korean filmmaker Jang Woo-jin’s second feature, a reflection on “distance and longing”; and others. Check it…

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by Paul Attard Features

2016 in Review — Young Thug | Jeffery

January 17, 2017
young thug

Through a career that’s spanned 16 mixtapes (four of them released commercially), three label deals (Cash Money Records, 1017 Records, and 300 Entertainment), and yet still no studio album, Young Thug has maintained a reputation as the most elusive rapper going; one really need only listen to his music to get a sense of his radically non-conforming style, which relies heavily on unpredictable, usually high-pitched vocal fluctuations. In a growing sphere of auto-tuned “mumble rap,” Thug stands out for his sound specifically. But that’s…

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by Kyle Turner Features

Eat, Survive, Make Music: An Interview With Joe Benjamin

January 12, 2017
JB

If Damien Chazelle’s recent film La La Land essentially uses its every frame to try and justify its pastiche nature, through a sense of disenchantment, then Joe Benjamin & a Mighty Handful is the kind of band that doesn’t really feel it necessary to make that kind of effort; they just let themselves be there for the audience that wants them to be. And if you’re with their freewheeling, kind of kookie frontman (who recalls Alan Cumming in Bob Fosse’s Cabaret), then head to one…

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by InRO Staff Features

Top 10 Films of 2016

December 31, 2016
happy-hour

It’s heartening to realize that in a year of seemingly constant death—one in which the passing of great filmmakers was no exception—the best films here seemed intent on never forgetting those losses, to mine the past and the passed for new inspiration in the present, and in movingly reverent ways. Our great new filmmakers looked to the old ones to guide them…

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by InRO Staff Features

Top 10 Performances of 2016

December 30, 2016
lily

Our top 25 performances, before whittling it down to the 10 you’ll find below, featured votes for two actors from Manchester by the Sea, two from Toni Erdmann, four from Happy Hour, four from Certain Women, and a hefty five from Moonlight. A twist on a typical year’s voting trends which may…

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by InRO Staff Features

Top 10 Albums of 2016

December 29, 2016
chance

In a year most of us would rather forget for one reason or another, 2016 was welcomingly giving when it came to dispensing albums from some of both this and last century’s greatest performers. The sheer wealth of material this year means fantastic work like Leonard Cohen’s swan song, Young Thug’s most cohesive effort to date, and The Avalanches nearly two-decades-in-the-making second album won’t get the expanded…

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by InRO Staff Features

Top 10 Songs of 2016

December 29, 2016
formation

Just another year gone by—except songs seemed particularly vital for getting through these last 12 months. Not that you need me to tell you, but we lost some of our greatest purveyors of the form in 2016, and if the 10 selections below can’t compensate—if there’s no “Kiss” or “Mama Tried” or “Modern Love” among them—most look struggle, and sacrifice, and the indefatigable march of time, head-on, as much a reflection of their times as the classics that came before them. And if a few…

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by Lawrence Garcia Features Festival Coverage

Vancouver Film Festival 2016 – Future // Present

October 28, 2016
werewolf

One of the most exciting developments of this year’s Vancouver International Film Festival was the introduction of Future // Present, a program focused on new films from emerging Canadian filmmakers. Curated by critic and programmer Adam Cook, the eight films shown—from predominantly first-time feature filmmakers—were diverse in form and content, ranging from narrative fiction…

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by Lawrence Garcia Features Festival Coverage

Vancouver Film Festival 2016 – Dispatch 3

October 20, 2016
tower

The 35th Vancouver International Film Festival wrapped on October 14th, capping a two–week marathon of cinema gorging. This third and final dispatch covers two acclaimed holdovers from the Locarno Film Festival, The Dreamed Path and The Human Surge; films from Eugene Green (Son of Joseph) and Hong Sangsoo (Yourself and Yours); a writer biopic, Nelly, from French-Canadian…

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