Festival Coverage

by InRO Staff Features Festival Coverage

Japan Cuts 2017

July 25, 2017
In This Corner of the World

Japan Cuts—the largest screening event for new Japanese films in North America—just wrapped its 11th annual edition this week. Our one and only dispatch from the fest this year includes new films from the auteurs Sion Sono (ANTIPORNO) and Kiyoshi Kuroawa (Daguerrotype); respected but lesser known directors like Nobuhiro Yamashita (Over the Fence) and Yûya Ishii (My Dad and Mr. Ito); and plenty of interesting work from the worlds of anime (Sunao Katabuchi’s In This Corner of the World), documentary (Kyoko Miyake’s Tokyo Idols), and the…

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by InRO Staff Features Festival Coverage

New York Asian Film Festival 2017 – Dispatch 3

July 19, 2017
The Mole Song

The 16th annual New York Asian Film Festival recently ended its two-week run. We’ve already published two dispatches from the fest—for our third and final one, we have a few quick-takes on some exciting new Japanese films, including another entry in Nikkatsu’s Roman Porno reboot (Isao Yukisada’s Aroused by Gymnopedies), a project which we wrote about in our first dispatch from the fest; the latest film from the very prolific Takashi Miike (The Mole Song: Hong Kong Capriccio); and a deceptively grim psychological horror effort from divisive cult auteur Sabu (Happiness).…

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by InRO Staff Features Festival Coverage

New York Asian Film Festival 2017 – Dispatch 2

July 11, 2017
Mad-World

The 16th annual New York Asian Film Festival (June 30th – July 16th) is now nearing the end of its two-week run. Our first dispatch included films from Taiwan, Thailand, Japan, Hong Kong, China, and North and South Korea. Dispatch 2 skews more extensively Chinese, including two films that were actually already released in theaters in the U.S. (Han Han’s Duckweed and Derek Tsang’s Soul Mate) and several first-time filmmakers (Wong Chun with Mad World, Derek Hui with This Is Not What I Expected, and Liu Lin with Someone to…

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by InRO Staff Features Festival Coverage

New York Asian Film Festival 2017 – Dispatch 1

July 4, 2017
Wet Woman

The 16th annual New York Asian Film Festival (June 30th – July 16th) started its two-week run on Friday, and we’re putting together our beefiest coverage ever: three lengthy dispatches posted throughout the whole sprawling schedule. In Dispatch 1, you’ll find NYAFF’s more characteristic, genre-oriented fare (Alan Mak and Felix Chong’s Extraordinary Mission, Leste Chen’s Battle of Memories), but also several serious-minded dramas (Midi Z’s The Road to Mandalay, Miwa Nishikawa’s The Long Excuse, Lee Kyoung-mi’s The Truth Beneath), off-kilter comedies (Nattawut Poonpiriya’s Bad Genius, Chen Yu-Hsun’s The Village of No Return), a…

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by InRO Staff Features Festival Coverage

BAMcinemafest 2017 – Dispatch 2

June 22, 2017
goldenexits

The 2017 BAMcinemafest ends this Sunday, and this dispatch concludes our coverage. Among the takes below, you’ll find several more holdovers from Sundance—including hit comedy The Big Sick and Alex Ross Perry’s unfairly panned Golden Exits—and two films (a narrative and a documentary) from American indie film director Michael Almereyda. Be sure to also check out our first dispatch, which featured new films from the Amer-indie scene’s Aaron Katz, Stephen Cone, and Koganda. You can also find the remainder of the fest’s full schedule here.…

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by InRO Staff Features Festival Coverage

BAMcinemafest 2017 – Dispatch 1

June 15, 2017
katz

The 2017 BAMcinemafest kicked off yesterday, and it offers, frankly, a much more exciting lineup than did this year’s Cannes—especially if you have a vested interest in the Amer-indie film scene. There’s new stuff here from Alex Ross Perry (Queen of Earth), Gillian Robespierre (Obvious Child), Stephen Cone (Henry Gamble’s Birthday Party), and Aaron Katz (Cold Weather). For InRO‘s first dispatch, you’ll find a couple of the aforementioned covered, in addition to some even more under-the-radar titles. Check back here over…

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by InRO Staff Features Festival Coverage

New Directors/New Films 2017 – Dispatch 2

March 29, 2017
Person to Person

The 46th edition of New Directors/New Films concluded this past Sunday with Dustin Guy Defa’s much-discussed Person to Person. Our final dispatch from the festival takes a look at Guy Defa’s “pleasantly low-key” film; tries to parse the intensions of Alain Della Negra and Kaori Kinoshita’s docu-drama hybrid on a UFO-worshipping cult; revisits Angela Shanelec’s film festival whatsit The Dreamed Path, as well as another oddity of “macro- and micro-fictions” from independent Thai filmmaker Anocha Suwichakornpong; and plenty of others. Check it all out below. Many ND/NF entries have demonstrated an admirable scale in their ambitions, but…

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by InRO Staff Features Festival Coverage

New Directors/New Films 2017 – Dispatch 1

March 20, 2017
autumn autumn

The 46th edition of New Directors/New Films kicked off last Wednesday (March 15th) and ends this Sunday (March 24th). For our first of two dispatches from the festival, we look at a “cheeky” documentary about falconry; a “formally assured, but familiar” new film from It Felt Like Love director Eliza Hittman; a movie about Chinese immigrants in Argentina that is, appropriately, built around an understanding of language; Korean filmmaker Jang Woo-jin’s second feature, a reflection on “distance and longing”; and others. Check it…

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by Lawrence Garcia Features Festival Coverage

Vancouver Film Festival 2016 – Future // Present

October 28, 2016
werewolf

One of the most exciting developments of this year’s Vancouver International Film Festival was the introduction of Future // Present, a program focused on new films from emerging Canadian filmmakers. Curated by critic and programmer Adam Cook, the eight films shown—from predominantly first-time feature filmmakers—were diverse in form and content, ranging from narrative fiction…

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by Lawrence Garcia Features Festival Coverage

Vancouver Film Festival 2016 – Dispatch 3

October 20, 2016
tower

The 35th Vancouver International Film Festival wrapped on October 14th, capping a two–week marathon of cinema gorging. This third and final dispatch covers two acclaimed holdovers from the Locarno Film Festival, The Dreamed Path and The Human Surge; films from Eugene Green (Son of Joseph) and Hong Sangsoo (Yourself and Yours); a writer biopic, Nelly, from French-Canadian…

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by Lawrence Garcia Features Festival Coverage

Vancouver Film Festival 2016 – Dispatch 2

October 14, 2016
V63A0084-169 copy.jpg

The 35th Vancouver International Film Festival is past its halfway point and continues to deliver a refreshingly varied cinematic slate. This second dispatch covers three less-heralded films from the fest’s Dragons & Tigers program, and two higher-profile world cinema titles, the Olivier Assayas ghost story Personal Shopper and Terence Davies’ Emily Dickinson biopic A Quiet Passion. Also covered in this dispatch are…

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by Lawrence Garcia Features Festival Coverage

Vancouver Film Festival 2016 – Dispatch 1

October 10, 2016
viff1

Coming just two weeks after the end of the 2016 Toronto Film Festival, the 35th Vancouver International Film Festival (September 29th – October 14th) boasts an impressive lineup, showcasing a huge number of world cinema’s major titles (including some, such as Alain Guiraudie’s Staying Vertical and Eugene Green’s Son of Joseph, that skipped TIFF) in addition to its typically strong Dragons & Tigers program, dedicated to East Asian cinema (which this year includes…

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