#StreamingScene

#StreamingScene by Paul Attard Film

Dhayam | Kannan Rangaswamy

Billed as “the first Indian film to be shot inside a single room,” Dhayam proves that some ideas are so inane that just maybe they aren’t enough to sustain a film. (In any case, there are multiple shots used throughout Dhayam involving the cast…

May 1, 2019
#StreamingScene by Chris Mello Film

 Fugue | Agniszka Smoczynska

Agniszka Smoczynska’s The Lure was not, by most metrics, a hit, but it wasn’t a failure either; it made a small amount of money in its theatrical run, garnered positive critical notices, and eventually found its way to a place in the Criterion Collection’s catalog.…

April 29, 2019
#StreamingScene by Daniel Gorman Film

A Land Imagined | Yeo Siew Hua

Yeo Siew Hua’s A Land Imagined is a strange beast, beginning as a straightforward, noir-inflected procedural before gradually giving way to a strange, dreamlike reverie, as the narrative contorts itself. Call it a long day’s journey into night. Set in Singapore, Detective Lok (Peter Yu)…

April 26, 2019
#StreamingScene by Luke Gorham Film

Guava Island | Hiro Murai

“Anywhere where in order to get rich you have to make someone else richer is America” says musician Deni (Donald Glover) early into Guava Island — a cynical musing that proves a thematic ingress for this film. The specifics of the fictional, Caribbean-flecked nation…

April 19, 2019
#StreamingScene by Daniel Gorman Film

Unicorn Store | Brie Larson

It’s really not clear why Oscar-winning actress Brie Larson would want to cash-in her awards clout on a hopelessly muddled slog like Unicorn Store. Filmed ages ago, the film has been sitting on a shelf since at least 2017, only finally being released now, presumably,…

April 17, 2019
#StreamingScene by Chris Mello Film

Drift | Helena Wittmann

The narrative framework of Helena Wittmann’s Drift revolves around two women, each going their own separate ways after spending some time together in northern Germany. One of the women intends to return home to Argentina; the other, who Wittmann’s film spends most of its time with, sails…

April 17, 2019
In Review | Online film and music criticism