#ObscureObject

#ObscureObject by Will Rivitz Music

Kid Koala | Music to Draw To: Io

Music to Draw To: Io is an hour-plus of carefully wrought, beat-light technical wizardry; it’s an album devoted to childlike wonder, so much so that it practically tells you as much in its title: “music to draw to.” As opposed to the more mature connotations of phrases like…

January 29, 2019
#ObscureObject by Michael Doub Music

James Blake | Assume Form

James Blake sings the quiet parts loud; now a decade into his career, his arc is best charted through the evolution, and presentation, of his own introversion. Blake’s early EPs operated as soundtracks for solo clubbing, while his subsequent reinvention into a singer-producer captured conflicted internal monologues and ruminated…

January 28, 2019
#ObscureObject by Tanner Stechnij Music

The Delines | The Imperial

A rundown old car in a parking lot and two apartment complexes — one white, one a pale pink — are backdropped by an overcast sky. A rickety-looking telephone pole stands between them. This is the image used as the cover photo for retro-soul country outfit…

January 25, 2019
#ObscureObject by Will Rivitz Music

KOAN Sound | Polychrome

Though Polychrome is KOAN Sound’s first proper album, it functions more as a career retrospective. The Bristol duo came into their own just over 5 years ago, when they expanded their repertoire from neck-snapping dubstep and glitch-hop into a more diverse array of sonics. While…

December 15, 2018
#ObscureObject by Paul Attard Music

Sun Kil Moon | This Is My Dinner

If you’ve listened to any Sun Kil Moon album released in the past decade, then you know what to expect going into their latest, This Is My Dinner: Frontman Mark Kozelek plodding on endlessly about a microdrama that consumes his life; minimalistic instrumentation that…

November 7, 2018
In Review | Online film and music criticism