by InRO Staff

by InRO Staff Feature Articles Music

Foreign Correspondent | Issue #2

December 15, 2018
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In an effort to reboot our music coverage, In Review Online has launched some monthly features devoted to reviewing new album releases. One such feature is Foreign Correspondent — a survey of new releases from the international music world. In this issue, we cover releases from Chilean pop sensation Mon Laferte; two South Korean releases, from girl group Red Velvet and composer/multi-instrumentalist Park Jiha; and two Japanese albums, from singer-songwriter Yoshizawa Kayoko and idol group Maison Book Girl. The issue also features a selection for InRO’s Kicking the Canon: Brazilian heavy-metal icons Sepultura’s 1993 album Chaos A.D.…

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by InRO Staff Feature Articles Music

Foreign Correspondent | Issue #1

November 22, 2018
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In an effort to reboot our music coverage, In Review Online has launched some monthly features devoted to reviewing new album releases. Today, we launch Foreign Correspondent — a survey of new releases from the international music world. Issue #1 features takes on albums from Chilean pop artist Alex Anwandter; rising Catalonian star Rosalía; Norwegian electronic avant-gardist and vocalist Stine Janvin; and two Japanese releases, from “post-hardcore” band Cöe Shu Nie and electronic producer Tofubeats. The issue also features a selection for InRO’s Kicking the Canon project: British-born, Indian descended Najma’s 1987 album Qareeb. Chilean…

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by InRO Staff Festival Coverage Film

New York Film Festival 2018 – Dispatch 2

October 22, 2018
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For our final dispatch from the 2018 New York Film Festival, we take a look at each of the features from the fest’s avant garde-themed Projections program (our previous dispatch featured our takes on some of the titles from NYFF’s Main Slate). Included in this year’s impressive line-up: The debut feature film from “filmmaker/animator/composer” Jodie Mack; Taiwanese narrative filmmaker-turned-avant gardist Tsai Ming-liang’s latest; the provocative Catalan independent filmmaker Albert Serra’s very appropriate follow-up to his 2016 film The Death of Louis XIV; New York-based director…

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by InRO Staff Festival Coverage Film

New York Film Festival 2018 – Dispatch 1

October 17, 2018
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The 2018 New York Film Festival just wrapped over the weekend — which means it’s curtains for 2018’s fall festival season (I’m so sorry). Our first dispatch tackles Main Slate selections from the fest that we haven’t already covered (see our five Toronto Film Festival dispatches and Private Life), and that we don’t have plans to cover soon (next month, look for Alfonso Cuarón’s Roma and Joel & Ethan Coen’s The Ballad of Buster Scruggs in Streaming Scene and Barry Jenkins’s If Beale Street Could Talk in Blockbuster Beat).…

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by InRO Staff Festival Coverage Film

Toronto International Film Festival 2018 – Dispatch 5

September 20, 2018
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Our fifth and final dispatch from the 2018 Toronto International Film Festival (here’s the first, the second, the third, and the fourth) represents perhaps our most eclectic group of films yet: There are acclaimed filmmakers whose new works were seemingly passed on by some of the season’s other major fests (Xavier Dolan’s The Life and Death of John F. Donovan, Paolo Sorrentino’s Loro), an under-the-radar directing pair whose latest has been slowly accruing buzz since its Cannes premiere (Ciro Guerra and Cristina Gallego’s Birds of Passage), a hotly tipped fall…

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by InRO Staff Festival Coverage Film

Toronto International Film Festival 2018 – Dispatch 4

September 18, 2018
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Our fourth dispatch from the 2018 Toronto International Film Festival (here’s the first, the second, and the third) continues sifting through the various cinematic voices, styles, and pedigrees that make-up this year’s official slate. This time, we offer our takes on a big historical epic from a mainstay of international cinema (Mike Leigh’s Peterloo), the sophomore feature from a breakout director of the film festival circuit (Laszlo Nemes’s Sunset), prestige Hollywood actor fare (Timothee Chalamet and Steve Carrell in Felix Van Groeningen’s Beautiful Boy, Lucas Hedges in his dad Peter Hedges’s Ben Is Back),…

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by InRO Staff Festival Coverage Film

Toronto International Film Festival 2018 – Dispatch 3

September 13, 2018
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Our third dispatch from the Toronto International Film Festival (here’s the first and here’s the second) includes our takes on a few hold-overs from this year’s Cannes slate (Ryusuke Hamaguchi’s Asako I & II, Gaspar Noe’s Climax, Eva Husson’s Girls of the Sun), a couple of mammoth documentaries (Wang Bing’s Dead Souls, Frederick Wiseman’s Monrovia, Indiana), high-concept films by two of international cinema’s most accomplished formalists (Zhang Yimou’s Shadow, Christian Petzold’s Transit), and a movie by that guy who got blasted with a shotgun by Naomi Watts (Brady Corbet’s Vox Lux).…

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by InRO Staff Festival Coverage Film

Toronto International Film Festival 2018 – Dispatch 2

September 11, 2018
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Our second dispatch from the Toronto International Film Festival (here’s the first) acts as a nice microcosm of the fest as a whole, and of what distinguishes it on the international stage — namely, it’s breadth. The newfound restraint employed by TIFF’s programming still sees over 300 films screen across a variety of distinct programs. In this dispatch, we take a look at a work of avant-garde cinema from Wavelengths (Andrea Bussmann’s Fausto), a blockbuster film from Midnight Madness (David Gordon Green’s Halloween), a serious-minded…

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by InRO Staff Festival Coverage Film

Toronto International Film Festival 2018 – Dispatch 1

September 7, 2018
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This year’s Toronto International Film Festival, it has to be said, looks as if it may be one of the strongest slates since our site first started covering the fest, a full 10 years ago. There are a number of reasons why this could be: As with many of the fall fests, TIFF’s programming draws in part on films from the earlier part of the year, and notably from an exemplary 2018 Cannes Film Festival line-up. This year also feels like something…

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by InRO Staff Festival Coverage Film

Japan Cuts 2018

August 3, 2018
Japan Cuts 2018

Japan Cuts—the largest program of new Japanese films in North America—just wrapped its 12th annual edition earlier this week. Our one and only dispatch from the fest this year includes a passion project from octogenarian auteur Nobuhiko Obayashi (Hanagatami), a new work from iconoclastic anime director Masaaki Yuasa (The Night Is Short, Walk on Girl), the festival’s opening night film (Eric Khoo’s Ramen Shop) and its centerpiece presentation (Shûichi Okita’s Mori, the Artist’s Habitat).…

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by InRO Staff Festival Coverage Film

New York Asian Film Festival 2018 – Dispatch 2

July 18, 2018
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The 17th edition of the New York Asian Film Festival came to a close last Sunday. We already published one dispatch from the fest, focussing on some of its “Main Competition” films. For our second and final dispatch, we look at a handful of other notable selections from this year’s program, including a new film from recent Palme d’Or-winning Japanese director Hirokazu Kore-eda; Hong Kong filmmaker Dante Lam’s latest, which has become a juggernaut at China’s box office; a South Korean indie that won a pair of prizes at…

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by InRO Staff Festival Coverage Film

New York Asian Film Festival 2018 – Dispatch 1

July 13, 2018
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The 17th edition of the New York Asian Film Festival comes to a close this Sunday, and as usual the program offers a massive, sprawling slate that we’ve tried to navigate selectively. Our first of two dispatches from the fest focuses on five titles from NYAFF’s “Main Competition,” and includes one film from China, one from South Korea, two from Japan, and one from Hong Kong. Check back next week when we look at some of the more high profile titles at NYAFF this…

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