by InRO Staff

by InRO Staff Festival Coverage Film

Japan Cuts 2018

August 3, 2018
Japan Cuts 2018

Japan Cuts—the largest program of new Japanese films in North America—just wrapped its 12th annual edition earlier this week. Our one and only dispatch from the fest this year includes a passion project from octogenarian auteur Nobuhiko Obayashi (Hanagatami), a new work from iconoclastic anime director Masaaki Yuasa (The Night Is Short, Walk on Girl), the festival’s opening night film (Eric Khoo’s Ramen Shop) and its centerpiece presentation (Shûichi Okita’s Mori, the Artist’s Habitat).…

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by InRO Staff Festival Coverage Film

New York Asian Film Festival 2018 – Dispatch 2

July 18, 2018
NYAFF2

The 17th edition of the New York Asian Film Festival came to a close last Sunday. We already published one dispatch from the fest, focussing on some of its “Main Competition” films. For our second and final dispatch, we look at a handful of other notable selections from this year’s program, including a new film from recent Palme d’Or-winning Japanese director Hirokazu Kore-eda; Hong Kong filmmaker Dante Lam’s latest, which has become a juggernaut at China’s box office; a South Korean indie that won a pair of prizes at…

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by InRO Staff Festival Coverage Film

New York Asian Film Festival 2018 – Dispatch 1

July 13, 2018
NYAFF1

The 17th edition of the New York Asian Film Festival comes to a close this Sunday, and as usual the program offers a massive, sprawling slate that we’ve tried to navigate selectively. Our first of two dispatches from the fest focuses on five titles from NYAFF’s “Main Competition,” and includes one film from China, one from South Korea, two from Japan, and one from Hong Kong. Check back next week when we look at some of the more high profile titles at NYAFF this…

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by InRO Staff Feature Articles Film Year in Review

Top 10 Films of 2018 (So Far)

July 10, 2018
HalftimeFilm

Yesterday, we presented our Top 10 Albums of the Year (So Far). Today, we do the same for film — which also gives us the chance to offer takes on some films that haven’t been covered in our regular Blockbuster Beat reviews. (In fact, not a single “blockbuster” made the list, unless you count that dog movie we failed to review during its release.) Generally speaking, our best films of 2018 are actually from 2017: festival premieres from Toronto, Cannes, Sundance, etc. that took…

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by InRO Staff Feature Articles Music Year in Review

Quick Takes on Albums 2018 – Halftime (Part 3)

July 6, 2018
XXXTentacion

All this week at In Review Online, we’re presenting our takes on some notable (and less notable) albums that saw release during the first six months of the year. In the third of four installments (find the first one here and the second one here), we look at some recently released albums, which means we finally wade into the G.O.O.D. Music release cycle conversation that’s been dominating industry discourse. We also grapple with the presumably final album from controversial rapper XXXTentacion, who was shot and killed on…

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by InRO Staff Feature Articles Music Year in Review

Quick Takes on Albums 2018 – Halftime (Part 2)

July 4, 2018
Halftime2

All this week at In Review Online, we’ll be presenting our takes on some notable (and less notable) albums that saw release during the first six months of the year, more or less chronologically. In the second of four installments (find the first one here), we look primarily at spring 2018 releases, including a career summative statement from dream-pop duo Beach House; a major rap debut from former reality TV star Cardi B; a record-breaking album from K-pop boy band BTS; and more.…

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by InRO Staff Feature Articles Music Year in Review

Quick Takes on Albums 2018 – Halftime

July 3, 2018
Halftime1

All this week at In Review Online, we’ll be presenting our takes on some notable (and less notable) albums that saw release during the first six months of the year, more or less chronologically. In the first of four installments, we look at quarter one 2018 releases, including a strong feminist statement from ’90s alterna-pop hero Tracey Thorn; Justin Timberlake’s failed-experiment pop blockbuster; the long awaited return of ’90s indie-rock heroes the Breeders; and plenty of others.…

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by InRO Staff Festival Coverage Film

BAMcinemafest 2018 – Dispatch 2

July 2, 2018
Support

The BAMcinemaFest wrapped its 10th edition earlier this week. We already covered some of the festival’s selections here. For our final dispatch, we look at a handful of strong documentaries from up and coming filmmakers, as well as a major new film from American indie film veteran Andrew Bujalski.…

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by InRO Staff Festival Coverage Film

BAMcinemafest 2018 – Dispatch 1

June 22, 2018
BAM1

The 2018 BAMcinemaFest, the 10th edition of the annual festival, kicked off Wednesday and runs until Sunday, July 1st. It has, over the last decade, established itself as one of the best, most daringly curated selections of American independent filmmaking that moviegoers could ask for, undoubtedly the borough’s perennial apogee for new cinema. This year’s slate is, unsurprisingly, replete with excellent films from exciting filmmakers, both neophytes and veterans, culling highlights from less consistent smorgasbords like Sundance (Madeline’s Madeline, Sorry to Bother You, Leave No Trace) and South…

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by InRO Staff Festival Coverage Film

New Directors/New Films 2018 – Dispatch 2

April 9, 2018
drift2

The 47th edition of New Directors/New Films runs from Wednesday, March 28th, to Sunday, April 8th. For our final dispatch: a new feature from the co-director of Beyonce’s Lemonade film (Black Mother); the debut feature from “idiosyncratic” New York filmmaker Rick D’Ambrose (Notes on an Appearance); a film about “contemporary, post-colonial Algerian life” (Until the Birds Return); a werewolf film that’s also a class commentary (Good Manners); and more. Check out our first dispatch here. Across two features; several high-profile collaborations, including Beyonce’s Lemonade; and a widely…

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by InRO Staff Festival Coverage Film

New Directors/New Films 2018 – Dispatch 1

March 30, 2018
Ava

The 47th edition of New Directors/New Films runs from Wednesday, March 28th, to Sunday, April 8th. For our first of two dispatches from the festival, we look at the FIPRESCI Discovery Prize winner at last year’s Toronto International Film Festival (Ava); the late Chinese director Hu Bo’s sole film, a 4-hour “exacting depiction of depression”; the “precisely controlled” second feature from Valérie Massadian (Milla); a Taiwanese independent filmmaker’s “meditation” on a “bleak sociopolitical system” (The Great Buddha+); and others. Look for our second dispatch from the festival next week. An Elephant…

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