by InRO Staff

by InRO Staff Festival Coverage Film

New York Film Festival 2018 – Dispatch 1

October 17, 2018
long_days

The 2018 New York Film Festival just wrapped over the weekend — which means it’s curtains for 2018’s fall festival season (I’m so sorry). Our first dispatch tackles Main Slate selections from the fest that we haven’t already covered (see our five Toronto Film Festival dispatches and Private Life), and that we don’t have plans to cover soon (next month, look for Alfonso Cuarón’s Roma and Joel & Ethan Coen’s The Ballad of Buster Scruggs in Streaming Scene and Barry Jenkins’s If Beale Street Could Talk in Blockbuster Beat).…

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by InRO Staff Festival Coverage Film

Toronto International Film Festival 2018 – Dispatch 5

September 20, 2018
TIFF5

Our fifth and final dispatch from the 2018 Toronto International Film Festival (here’s the first, the second, the third, and the fourth) represents perhaps our most eclectic group of films yet: There are acclaimed filmmakers whose new works were seemingly passed on by some of the season’s other major fests (Xavier Dolan’s The Life and Death of John F. Donovan, Paolo Sorrentino’s Loro), an under-the-radar directing pair whose latest has been slowly accruing buzz since its Cannes premiere (Ciro Guerra and Cristina Gallego’s Birds of Passage), a hotly tipped fall…

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by InRO Staff Festival Coverage Film

Toronto International Film Festival 2018 – Dispatch 4

September 18, 2018
TIFF4

Our fourth dispatch from the 2018 Toronto International Film Festival (here’s the first, the second, and the third) continues sifting through the various cinematic voices, styles, and pedigrees that make-up this year’s official slate. This time, we offer our takes on a big historical epic from a mainstay of international cinema (Mike Leigh’s Peterloo), the sophomore feature from a breakout director of the film festival circuit (Laszlo Nemes’s Sunset), prestige Hollywood actor fare (Timothee Chalamet and Steve Carrell in Felix Van Groeningen’s Beautiful Boy, Lucas Hedges in his dad Peter Hedges’s Ben Is Back),…

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by InRO Staff Festival Coverage Film

Toronto International Film Festival 2018 – Dispatch 3

September 13, 2018
TIFF3

Our third dispatch from the Toronto International Film Festival (here’s the first and here’s the second) includes our takes on a few hold-overs from this year’s Cannes slate (Ryusuke Hamaguchi’s Asako I & II, Gaspar Noe’s Climax, Eva Husson’s Girls of the Sun), a couple of mammoth documentaries (Wang Bing’s Dead Souls, Frederick Wiseman’s Monrovia, Indiana), high-concept films by two of international cinema’s most accomplished formalists (Zhang Yimou’s Shadow, Christian Petzold’s Transit), and a movie by that guy who got blasted with a shotgun by Naomi Watts (Brady Corbet’s Vox Lux).…

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by InRO Staff Festival Coverage Film

Toronto International Film Festival 2018 – Dispatch 2

September 11, 2018
TIFF2

Our second dispatch from the Toronto International Film Festival (here’s the first) acts as a nice microcosm of the fest as a whole, and of what distinguishes it on the international stage — namely, it’s breadth. The newfound restraint employed by TIFF’s programming still sees over 300 films screen across a variety of distinct programs. In this dispatch, we take a look at a work of avant-garde cinema from Wavelengths (Andrea Bussmann’s Fausto), a blockbuster film from Midnight Madness (David Gordon Green’s Halloween), a serious-minded…

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by InRO Staff Festival Coverage Film

Toronto International Film Festival 2018 – Dispatch 1

September 7, 2018
Image Book

This year’s Toronto International Film Festival, it has to be said, looks as if it may be one of the strongest slates since our site first started covering the fest, a full 10 years ago. There are a number of reasons why this could be: As with many of the fall fests, TIFF’s programming draws in part on films from the earlier part of the year, and notably from an exemplary 2018 Cannes Film Festival line-up. This year also feels like something…

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by InRO Staff Festival Coverage Film

Japan Cuts 2018

August 3, 2018
Japan Cuts 2018

Japan Cuts—the largest program of new Japanese films in North America—just wrapped its 12th annual edition earlier this week. Our one and only dispatch from the fest this year includes a passion project from octogenarian auteur Nobuhiko Obayashi (Hanagatami), a new work from iconoclastic anime director Masaaki Yuasa (The Night Is Short, Walk on Girl), the festival’s opening night film (Eric Khoo’s Ramen Shop) and its centerpiece presentation (Shûichi Okita’s Mori, the Artist’s Habitat).…

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by InRO Staff Festival Coverage Film

New York Asian Film Festival 2018 – Dispatch 2

July 18, 2018
NYAFF2

The 17th edition of the New York Asian Film Festival came to a close last Sunday. We already published one dispatch from the fest, focussing on some of its “Main Competition” films. For our second and final dispatch, we look at a handful of other notable selections from this year’s program, including a new film from recent Palme d’Or-winning Japanese director Hirokazu Kore-eda; Hong Kong filmmaker Dante Lam’s latest, which has become a juggernaut at China’s box office; a South Korean indie that won a pair of prizes at…

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by InRO Staff Festival Coverage Film

New York Asian Film Festival 2018 – Dispatch 1

July 13, 2018
NYAFF1

The 17th edition of the New York Asian Film Festival comes to a close this Sunday, and as usual the program offers a massive, sprawling slate that we’ve tried to navigate selectively. Our first of two dispatches from the fest focuses on five titles from NYAFF’s “Main Competition,” and includes one film from China, one from South Korea, two from Japan, and one from Hong Kong. Check back next week when we look at some of the more high profile titles at NYAFF this…

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by InRO Staff Feature Articles Film Year in Review

Top 10 Films of 2018 (So Far)

July 10, 2018
HalftimeFilm

Yesterday, we presented our Top 10 Albums of the Year (So Far). Today, we do the same for film — which also gives us the chance to offer takes on some films that haven’t been covered in our regular Blockbuster Beat reviews. (In fact, not a single “blockbuster” made the list, unless you count that dog movie we failed to review during its release.) Generally speaking, our best films of 2018 are actually from 2017: festival premieres from Toronto, Cannes, Sundance, etc. that took…

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by InRO Staff Feature Articles Music Year in Review

Quick Takes on Albums 2018 – Halftime (Part 3)

July 6, 2018
XXXTentacion

All this week at In Review Online, we’re presenting our takes on some notable (and less notable) albums that saw release during the first six months of the year. In the third of four installments (find the first one here and the second one here), we look at some recently released albums, which means we finally wade into the G.O.O.D. Music release cycle conversation that’s been dominating industry discourse. We also grapple with the presumably final album from controversial rapper XXXTentacion, who was shot and killed on…

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