by Daniel Gorman

#KickingtheCanon by Daniel Gorman Film

Alien | Ridley Scott

January 23, 2020

…Casablanca is not just one film. It is many films, an anthology. Made haphazardly, it probably made itself, if not actually against the will of its authors and actors, then at least beyond their control. And this is the reason it works, in spite of aesthetic theories and theories of film making. For in it there unfolds with almost telluric force the power of Narrative in its natural state, without Art intervening to discipline it. … When all the archetypes burst…

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#StreamingScene by Daniel Gorman Film

Earthquake Bird | Wash Westmoreland

For some inexplicable reason, Netflix seems to have set its sights on reviving the early-to- mid 90’s boom of erotic thrillers, old-fashioned melodramas mixed with vague neo-noir trappings and done up with a patina of sex and slick, gauzy cinematography (think anything with Rebecca…

November 22, 2019
#BlockbusterBeat by Daniel Gorman Film

Motherless Brooklyn | Edward Norton

Edward Norton’s Motherless Brooklyn, based on Jonathan Lethem’s novel, is by Norton’s own admission a passion project some 20 years in the making. It’s easy to see what would attract Norton to the role of Lionel Essrog, a sorta-kinda private detective investigating his boss and…

November 18, 2019
#StreamingScene by Daniel Gorman Film

El Camino: A Breaking Bad Movie | Vince Gilligan

It’s incredibly difficult for a television show to stick the landing. Long running programs tend to become different things for different viewers, particularly shows that have fully lodged themselves into pop culture. For every controversial ending (I’m thinking Seinfeld, Lost, and especially The Sopranos) there are…

October 14, 2019
#StreamingScene by Daniel Gorman Film

In the Shadow of the Moon | Jim Mickle

It is endlessly frustrating to see Netflix continue to gobble up talented, idiosyncratic directors and spew out garbled, muddled nonsense. As critic Katie Rife recently wrote over at The AV Club, “the streaming service seems to have a knack for commissioning original films from…

October 3, 2019
#StreamingScene by Daniel Gorman Film

Ana, Mon Amour | Calin Peter Netzer

With Ana, Mon Amour, director Calin Peter Netzer is desperately trying to align himself with the great figures of doomed romantic cinema, from Rivette and Cassavettes to Bergman and Pialat. That’s certainly a bold aspiration, although given that rarified air it is perhaps unsurprising that…

September 16, 2019
#KickingtheCanon by Daniel Gorman Film

To Live and Die in L.A. | William Friedkin

Director William Friedkin is known as a ‘big’ personality, loud and aggressive and bellicose. He’s been called a bully more often than not (Nat Segaloff’s 1990 critical biography is appropriately titled ‘Hurricane Billy’). But Friedkin is a mess of contradictions, capable of self-critical introspection…

August 25, 2019
#StreamingScene by Daniel Gorman Film

Point Blank | Joe Lynch

Point Blank is an unnecessary, and altogether unremarkable, remake of a 2010 French film of the same title — which is itself fairly mediocre as well. Credit where it’s due: both films have a great hook. An injured criminal is placed under arrest in…

August 5, 2019
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