by Daniel Gorman

#StreamingScene by Daniel Gorman Film

The Night Comes for Us | Timo Tjahjanto

Genre fans tend to experience a palpable delight the first time they lay their eyes on a new classic, getting them thinking about the first time they saw, say, Sam Raimi’s Evil Dead 2, John Carpenter’s The Thing, John Woo’s holy trinity of A Better Tomorrow, The Killer and…

October 29, 2018
#BlockbusterBeat by Daniel Gorman Film

Halloween | David Gordon Green

Whatever its flaws (and they are myriad), director David Gordon Green’s Halloween is certainly a good looking film: Cinematographer Michael Simmonds mimics John Carpenter’s 1978 original through subtle use of an autumnal palette, and by allowing slightly overcast and gray skies to appear without excessive…

October 25, 2018
#StreamingScene by Daniel Gorman Film

Apostle | Gareth Evans

Gareth Evans made his name with martial arts films, but based on how shockingly violent The Raid and The Raid 2 are, it’s not surprising that he would direct his interest toward the horror genre — and its ample opportunities for gruesome viscera. Like a remake…

October 24, 2018
#BlockbusterBeat by Daniel Gorman Film

Kin | Jonathan & Josh Baker

From a distance, Kin looked like a pretty promising mid-budget sci-fi. But if you can’t engage in Marvel-style big budget spectacle, you better have some ideas on deck to make up for it, and unfortunately, Kin doesn’t deliver on that front. The film starts off well…

September 7, 2018
#BlockbusterBeat by Daniel Gorman Film

BlacKkKlansman | Spike Lee

Spike Lee’s BlacKkKlansman tells the story of a black police officer in 1970s Colorado who infiltrated the Ku Klux Klan. But Lee is also telling the story of a current America that has not grown or progressed — not really — and forcing us to recognize that…

August 21, 2018
#BlockbusterBeat by Daniel Gorman Film

The First Purge | Gerard McMurray

Just in time for an ironic Independence Day release, The First Purge is another meaningless prequel that answers questions no one asked or needed answered. While it seems undeniably important that the film’s action/survival narrative revolves around an oppressed African-American population rising up against a government that is systematically and…

July 9, 2018
#BlockbusterBeat by Daniel Gorman

Hereditary | Ari Aster

No other company right now is playing the is-it-or-isn’t-is-a-horror-film game quite like A24. Blumhouse has their straightforward genre thrills down pat, with the occasional Purge film to expand their scope and dabble in some totally unsubtle social messaging. But A24, whether working in horror with sci-fi elements or…

June 15, 2018
#BlockbusterBeat by Daniel Gorman Film

Tully | Jason Reitman

Too often Hollywood wants to project the idea of motherhood as an innately beautiful thing, all soft lighting and angelic babies cooing at their beatific mothers. Tully isn’t having any of that. Jason Reitman’s film instead begins by detailing the misery of motherhood in…

May 15, 2018
by Daniel Gorman Retrospective

Cold Fish | Sion Sono

One task of the critic is to place a film within the context of its artist’s entire body of work, looking for recurring themes, motifs, obsessions, etc. But the sheer breadth of Sion Sono’s filmography—coupled with those films’ sporadic (at best) distribution—leaves the average viewer…

August 19, 2016
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