by Greg Cwik

by Greg Cwik Film Retrospective

Purple Butterfly | Lou Ye

May 14, 2019

Purple Butterfly is a film of dreamy realism, sometimes insoluble and suffused with a haze that is, at once, sepulchral yet sultry — a film about war and love, and the pain of both. It takes place in a constantly raining, Japanese-occupied Shanghai. (Critics compare the film to Wong Kar-wai, whose In the Mood for Love spawned innumerable progeny in the 2000s, and, while Lou obviously has different political and narrative sensibilities, his sumptuous conjuring of a bygone epoch is certainly redolent…

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#ObscureObject by Greg Cwik Music

Big Thief | U.F.O.F.

From its whispery, ethereal opener, “Contact,” Big Thief’s new album is permeated by an air of otherness. Adrianne Lenker’s voice is an aural phenomenon, Buck Meek’s guitar a beautiful enigma. U.F.O.F. is variegated, with black eyes, auburn hair, orange wind; “Orange is the color of my love…

May 9, 2019
#KickingtheCanon by Greg Cwik Music

Aphex Twin | Selected Ambient Works 85–92

Richard D. James’s debut altered the electronic music landscape, and remains a singular experience within the enigmatic musician’s oeuvre. Whereas the album’s follow-up, Selected Ambient Works II, is an oneiric, dreamy soundscape — harking back to Brian Eno with its euphoric swells and melancholic tones…

April 1, 2019
#KickingtheCanon by Greg Cwik Film

Eyes Wide Shut | Stanley Kubrick

Stanley Kubrick’s final film is one of the least-sexy films ever made about sex. Libidinous, yes, and full of naked bodies in salacious motion, engaging in lubricious acts — but also off-putting, too meticulous to be arousing. Eyes Wide Shut is a dreamy traipse…

March 15, 2019
#PopRocks by Greg Cwik Music

Weezer | Weezer (Black Album)

For those who still associate Rivers Cuomo with the confessional and unabashed awkwardness of Pinkerton, an album of estimable emotions that seems to have been released an eternity ago, Weezer’s Weezer (Black Album) could come as a special kind of shock; for everyone who’s been following the band…

March 3, 2019
#KickingtheCanon by Greg Cwik Music

PJ Harvey | To Bring You My Love

PJ Harvey had already infiltrated the mainstream by 1995, thanks to two of her early singles (“Sheela Na Gig” and “50ft Queenie”) earning medium rotation on radio stations. Her clanging punk-rock trio were just accessible enough to appease fans of Pearl Jam, but just weird enough…

February 10, 2019
#KickingtheCanon by Greg Cwik Music

Pavement | Slanted and Enchanted

Pavement’s debut album, a sui generis cornucopia of fuzz-box riffs and unwonted lyrics, opens with the best song the band ever recorded, maybe the best debut single of the decade: a three-minute, lo-fi emission of buzzsaw guitar and Dadaist lyrics (“My eyes stick to…

January 20, 2019
#KickingtheCanon by Greg Cwik Music

Lust for Life | Iggy Pop

The first of the two albums that Iggy Pop and David Bowie recorded during 1977, The Idiot is, in a sense, a David Bowie album, just one with Pop providing lyrics and vocals: Bowie dominated the production, sort of using the sessions as practice, honing the…

January 13, 2019
#KickingtheCanon by Greg Cwik Music

Galaxie 500 | On Fire

Galaxie 500 is often labeled as a “shoegaze” band, which is understandable: their indolent, undeviating style (gently distorted guitars committing to one riff, one obsessive, rhythmic progression, and Dean Wareham’s sui generis singing, that indelible voice pervading each song like an unsound apparition) doesn’t…

January 5, 2019
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