by M.G. Mailloux

#StreamingScene by M.G. Mailloux Film

Knife + Heart | Yann Gonzalez

June 22, 2019

Knife + Heart  was probably the oddest entry in Cannes’s main competition slate last year — a trendy, queer, pop cinema throwback that stood-out in a sea of stodginess from the usual festival circuit faves. Director Yann Gonzalez previously caught the attention of world cinema’s elite back in 2013, when his charmingly debauched debut, You and the Night, earned itself a special screening at Critics’ Week. With his leap up to the main slate, it’s reasonable to suspect that Gonzalez will become…

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#StreamingScene by M.G. Mailloux Film

Loqueesha | Jeremy Saville

“You know, I grew up around black people my whole life. I mean, if the truth be told, I probably know n***** better than you. And don’t go getting offended by my use of the quote-unquote N-word. I have a black wife and two…

June 13, 2019
#KickingtheCanon by M.G. Mailloux Film

A Perfect World | Clint Eastwood

A Perfect World‘s title is contradictory, born from a phrase that implies that life will never really amount to what we want it to — but abbreviated, so as to suggest that the central relationship in Clint Eastwood’s film is a utopian alternative to the…

March 3, 2019
#StreamingScene by M.G. Mailloux Film

High Flying Bird | Steven Soderbergh

It is the proclivity of many a film-watcher to make a director’s body of work conform to a linear narrative — and while it isn’t rare that a filmmaker winks at, and plays with, this supposition, in our postmodern era, it is rare that a filmmaker chooses projects for the specific purpose that…

February 10, 2019
#PopRocks by M.G. Mailloux Music

Future | Future Hndrxx Presents: The Wizrd

As far as contemporary pop stars go, Future was always somehow simultaneously the surest, and the least sure, bet: In the context of current rap, his success makes perfect sense, fitting right alongside Drake’s and Kanye West’s, two artist’s who’ve nimbly adapted to the shifting aesthetic trends in their genre. But…

January 28, 2019
In Review | Online film and music criticism