by Matt Lynch

Blockbuster Beat by Matt Lynch Film

Mile 22 | Peter Berg

August 16, 2018
Mark Wahlberg stars in MILE 22

Releasing a steady stream of vaguely jingoistic docudramas all starring Mark Wahlberg as a hero/patriot, Peter Berg has become a bit of a joke as a filmmaker over the last few years. So it’s easy to forget that, even given their fluctuating levels of overall quality, earlier Berg efforts like Lone Survivor, Deepwater Horizon, The Kingdom, and yeah even Battleship were at least crafted superbly, from a technical standpoint; sported effectively-cast supporting ensembles; and above all featured action sequences that displayed a tight command…

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Blockbuster Beat by Matt Lynch Film

The Meg | Jon Turteltaub

August 10, 2018
The Meg

Here’s a movie about Jason Statham fighting a gigantic killer prehistoric shark. That’s all it is. The Meg spends not much time setting up its premise (lifted from Renny Harlin’s Cliffhanger), with Statham’s washed up deep-sea rescue diver being pressed back into service after an on-the-job tragedy. We’re barely 20 minutes in before he’s had his first encounter with the movie’s namesake (short for Megalodon, a thing wikipedia tells me is real but not nearly as big as this stupid movie claims).…

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Blockbuster Beat by Matt Lynch Film

Mission: Impossible – Fallout | Christopher McQuarrie

July 27, 2018
MIF

The Mission: Impossible series has gone from a gauzy star vehicle to a very referendum on said star as (to quote a character from the last movie) the “living manifestation of destiny.” The highlight of the first film was a guy hanging from the ceiling. The latest one, Fallout, is an absolutely relentless series of lengthy, extraordinary setpieces loaded with insane stunts, shock beats, masks being ripped off, last-minute reveals, double crosses, and did I mention the insane stunts?…

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Blockbuster Beat by Matt Lynch Film

The Equalizer 2 | Antoine Fuqua

July 20, 2018
The Equalizer 2

The Equalizer provided a perfectly serviceable delivery device for bloody violence. The 2014 film starred Denzel Washington as former C.I.A. assassin-turned-neighborhood do-gooder Robert McCall, who memorably carved up, blew up, dismembered, or otherwise mangled a dozen or so bad guys in a hardware store during the film’s climax, all guided by the mostly competent if unspectacular action hand of Washington’s longtime collaborator, Antoine Fuqua.…

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Blockbuster Beat by Matt Lynch Film

Skyscraper | Rawson Marshall Thurber

July 12, 2018
skyscraper

Nearly 30 years on, to the day, from the release of Die Hard — the movie about a guy fighting terrorists in a really tall building that spawned dozens of knockoffs that people continue to refer to using the construction: “Die Hard on a…boat/spaceship/rollercoaster, whatever — finally, we have Skyscraper, which is, you guessed it, Die Hard in a really tall building.…

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Blockbuster Beat by Matt Lynch Film

Ant-Man and the Wasp | Peyton Reed

July 12, 2018
Ant-Man-Wasp

Just as 2015’s Ant-Man felt like a welcome respite after world-exploding Avengers entry Age of Ultron, so too does its sequel come as a balm after Infinity War killed pretty much everyone. Almost completely ignoring the whole thing with that purple alien man conducting intergalactic genocide, Ant-Man and the Wasp also corrects most of the stuff that wasn’t so interesting in its own franchise’s first installment. This time,…

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Blockbuster Beat by Matt Lynch Film

Jurassic World: Fallen Kingdom | J.A. Bayona

June 21, 2018

The first and certainly most beloved of the Jurassic Park films sums up the entire franchise with a single line, when Sam Neill’s Grant first sees a dinosaur and exclaims, “It’s a dinosaur!” Even when directed by a genuine master like Steven Spielberg (and especially when they’re not), these films always have a pretty low bar to clear. One can pine all they want for the sense of awe and wonder in the face of nature that was maybe evoked by…

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Blockbuster Beat by Matt Lynch Film

Incredibles 2 | Brad Bird

June 13, 2018
Incredibles 2

In the 14 years since The Incredibles, the superpowered Parr family hasn’t aged a day. This sequel picks up right where the first film left off — except director Brad Bird has gotten older, and he sure feels a lot of ways about a lot of stuff. Bird is weirdly concerned with shifting gender roles, even though Elastigirl was basically the heroine of the first movie; he thinks an untrustworthy media is poisoning the judgment of the clueless masses…

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Blockbuster Beat by Matt Lynch Film

Solo: A Star Wars Story | Ron Howard

May 24, 2018
solo

Solo: A Star Wars Story feeds us the origin and backstory of the galaxy’s favorite space pirate in what’s sort of a version of the opening sequence of Indiana Jones and the Last Crusade: a backstory that completely explains everything about Han Solo (who’s usually played by Harrison Ford), except instead of being one sequence, it’s 140 minutes long. Most of that runtime is spent on a fun, rambunctious caper film that bounces quickly from set-piece to set-piece without getting too bogged down in plot, but the sense of distractedness…

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Blockbuster Beat by Matt Lynch Film

Deadpool 2 | David Leitch

May 17, 2018
deadpool

Did you like the first Deadpool? Its constant allegedly clever meta-references? The look-how-edgy-this-is shock humor? The graphic violence? Deadpool 2 has more of those things, so you will enjoy this one too. Although, this time, Deadpool (Ryan Reynolds) is depressed for various spoilery reasons and wants to die, just like Wolverine, only he can’t, just like Wolverine. So, again, just like Wolverine (he’s sort of obsessed with Wolverine), he throws himself into good deeds as a form of therapy and attempted absolution. In…

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Blockbuster Beat by Matt Lynch Film

A Quiet Place | John Krasinski

April 6, 2018
qp

The opening of of A Quiet Place leaves you primed for an arthouse-inflected genre film, like something A24 would release, or that Alex Garland might direct. Shot with moody lighting and Malick-y closeups, a family silently raid an abandoned pharmacy, on what we’re informed is “Day 82” of something. All the actors sign their dialogue, and their big round eyes cringe at the slightest sound. But just as you start to worry that the whole film might be like this, all somber and serious, a little kid gets eaten by…

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