by Matt Lynch

by Matt Lynch Current Film

Rogue One: A Star Wars Story | Gareth Edwards

December 13, 2016
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Soon, just as there are plenty of adults who no longer remember a world before The Simpsons, nobody will recall a time when, for good or ill, there was not a new annual Star Wars movie. It’s no longer enough (either to shareholders or to pop culture at large) to expect a new installment of the core saga every few years (let alone every other decade), so with Rogue One: A Star Wars Story, Disney kicks off a line of one-off adventures. This…

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by Matt Lynch Current Film

Fantastic Beasts and Where to Find Them | David Yates

November 18, 2016
fantastic-beasts

The Harry Potter franchise officially becomes an Expanded Cinematic Universe with Fantastic Beasts and Where to Find Them, the first in what Warner Bros. promises will be five J.K. Rowling-scripted original films, prequels to the Potter‘s proper. Centering around conservationalist wizard Newt Scamander (Eddie Redmayne), who travels the globe capturing said fantastic beasts and shoving them into…

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by Matt Lynch Current Film

Doctor Strange | Scott Derrickson

November 3, 2016
doctor-strange

If the source material for Doctor Strange, the 14th entry in the Marvel Cinematic Universe, suggested the company might finally be open to the surreal potential of their comics, what with sorcerers and cross-dimensional antics, the payoff is surprisingly dull, despite some frequently amusing eye-candy. The final third of last year’s Ant-Man was ultimately much trippier (and funnier), even though both films share the same problem…

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by Matt Lynch Current Film

Hacksaw Ridge | Mel Gibson

November 3, 2016
hacksaw-ridge

Based on the true story of Army Medic Desmond Doss (Andrew Garfield here), a devout Seventh-Day Adventist and conscientious objector who rescued dozens of soldiers while refusing to kill an enemy or carry a weapon, Mel Gibson’s latest directorial effort is both a simple, deliberate Johnny-Goes-To-War melodrama and an incredibly brutal depiction of combat.…

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by Matt Lynch Current Film

Jack Reacher: Never Go Back | Edward Zwick

October 21, 2016
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2012’s Jack Reacher was, at its best, an amusingly bare-bones action movie with a level of simplicity that may have felt a bit like a gritty ’70s throwback to some, but that more realistically resembled a made-for-cable movie circa the early ’90s. Never Go Back doubles down on the latter vibe and the result is virtually indistinguishable from something you might have watched on TNT in 1993 starring Michael Pare or James Remar…

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by Matt Lynch Current Film

American Honey | Andrea Arnold

October 6, 2016
american-honey

At the start of American Honey, Jake and Star, its two lead characters (played by Shia LeBeouf and newcomer Sasha Lane, respectively) meet and somehow immediately fall for each other as Rihanna’s “We Found Love” blares over a Wal-Mart PA. “We found love in a hopeless place…” goes the song, and it seems like that’s the only working thesis for this deliberately grungy (yet undeniably gorgeous), busted pop fairy tale.…

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by Matt Lynch Current Film

Sully | Clint Eastwood

September 7, 2016
sully

Late in Eastwood’s chronicle of Captain Chesley “Sully” Sullenberger’s emergency water landing of US Air 1549 (dubbed the “Miracle on the Hudson”)—and the investigation that follows—Sully (a white-haired Tom Hanks) turns to his co-pilot (Aaron Eckhart), saying, “We did our job.” That pretty much sums up this simple story of pragmatic, unassuming, collective heroism and cool thinking in a state of crisis. Sully manages to save every passenger on board and is hailed as a hero by the media.…

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by Matt Lynch Current Film

Hell or High Water | David Mackenzie

August 12, 2016
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Initially presenting as another in a long, increasingly ossified line of rural neo-noirs (see also Out of the Furnace, Cold in July, Bad Turn Worse, on and on), Hell or High Water eventually manages to tease out a modestly novel threat to tug on as far as the subgenre’s general motivators of economic desperation and thwarted masculinity go. After the opening scene in which divorced dad Toby (Chris Pine) and his ex-con brother Tanner knock over a West Texas bank, you’d…

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by Matt Lynch Retrospective Film

Teachers of Sexual Play: Modelling Urns With the Female Body | Sion Sono

August 11, 2016
Teaches Play

The title of this pre-Suicide Club entry—which Sion Sono categorizes as a straight pink film—pretty much sums up the film in its entirety. Together with his wife, a master pottery maker (played by Sono himself), crippled by some unnamed malady, channels sexual energy into art. The couple teach a pottery class with just three naïve students (two eager, nubile girls and a nerdy guy), the ultimate goal of which is to maintain their long-standing winning streak at a local art fair. That sounds like…

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by Matt Lynch Current Film

Suicide Squad | David Ayer

August 4, 2016
Suicide Swuad

It takes almost 30 minutes to introduce most (somehow still not all) of the major characters in David Ayer’s DC Comics adaptation Suicide Squad. A couple even get introduced twice. Coming on the heels of tepid response (despite relatively massive box office) to like-it-or-not mega-franchise kickoff Batman v Superman: Dawn of Justice, Ayer’s effort bears all the hallmarks of not just ordinarily clunky studio filmmaking but a frantic attempt to retool a film nobody expected to have to bear the burden of both meeting its planned release date and…

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by Matt Lynch Current Film

Ghostbusters | Paul Feig

July 14, 2016
Ghostbusters

Let’s get this out of the way right up front: the new Ghostbusters remake/reboot/whatever isn’t a bad movie because it stars four women instead of four men. It isn’t bad because it somehow tarnishes the legacy of an alleged 80s classic either (honestly, there isn’t much to tarnish; Ivan Reitman’s 1984 film is merely fine). It’s bad because Paul Feig directed it. Feig is quite evidently good at collecting some very talented performers and getting them to improv a bunch of one-liners while…

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by Matt Lynch Current Film

The BFG | Steven Spielberg

July 1, 2016
The BFG (2016)

Steven Spielberg’s attempts at whimsy have historically paid low dividends. The impulse has been responsible for weaker elements in films like the otherwise under-appreciated Always, or the more notorious crime of cinema, Hook. So while it probably seemed like a good idea at the time, Spielberg may not have been the best choice to adapt the slippery, often macabre childrens’ work of Roald Dahl—whose beloved late novel The BFG pinwheels through sweet flights of fancy, as a young girl is taken on a fantastic journey with a…

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