by Matthew Lucas

#StreamingScene by Matthew Lucas Film

Private Life | Tamara Jenkins

Set amidst a deeply bourgeois milieu where children tend to be treated more like expensive fashion accessories than actual human beings, Tamara Jenkins’s wise, warm, and altogether lovely Private Life  (her first feature in 11 years) introduces us to a middle-aged couple living in a rent-controlled…

October 16, 2018
by Matthew Lucas Film

Human Flow | Ai Weiwei

Chinese artist and dissident Ai Weiwei takes a powerful look at the global refugee crisis in his new documentary Human Flow. Whether the refugees come from Syria, Iraq, Afghanistan, Palestine, or sub-Saharan Africa, Ai pulls back to examine their crises in the broadest possible context, recognizing the…

October 16, 2017
#KickingtheCanon by Matthew Lucas Film

The Thin Red Line | Terrence Malick

Whenever anyone mentions the 1998 Oscars, the conversation inevitably turns to the great “injustice” of Shakespeare in Love beating Steven Spielberg’s Saving Private Ryan for Best Picture. But the real injustice of the 1998 Oscars wasn’t denying Ryan the top prize, it was in not rewarding Terrence Malick’s masterpiece, The Thin Red…

February 9, 2015
#KickingtheCanon by Matthew Lucas Film

The Ballad of Narayama | Keisuke Kinoshita

In Keisuke Kinoshita’s audaciously experimental The Ballad of Narayama, artifice becomes a vessel of truth, turning theatrical illusion into something boldly cinematic. Inspired by traditional Japanese Kabuki theater, Kinoshita’s film — which was shot almost completely on sound-stages — makes no effort to disguise its artificiality, transitioning its…

February 20, 2013
In Review | Online film and music criticism