by Paul Attard

by Joe Biglin by Paul Attard Feature Articles Music What Would Meek Do?

What Would Meek Do? | Issue 8

May 28, 2019

SoundCloud junkies Paul Attard and Joe Biglin run down some rap releases from the months of March and April in the latest What Would Meek Do?. This eighth official issue features takes on a few bland chart-toppers (Rich the Kid’s The World Is Yours 2 and Nav’s Bad Habits); several rising stars’ commercial projects (03 Greedo’s Still Summer in the Projects, Rico Nasty’s Anger Management, and Little Simz’s Grey Area); and another lengthy mixtape from the BasedGod himself (Lil B’s…

Continue Reading

by Paul Attard Film Retrospective

Don’t Be Young | Lou Ye

The literal translation of Don’t Be Young‘s Chinese title, “Wei Qing Shao Nu,“ means “Emotional Young Lady”— and it is, in many ways, a more than appropriate title for Lou Ye’s debut*. But the film’s stateside-given name serves a more theoretical purpose connected to its…

May 14, 2019
#PopRocks by Paul Attard Music

Schoolboy Q | Crash Talk

Patience is a virtue that most hip-hop fans don’t possess, and one that they don’t really need to; it’s generally been accepted that in order to stay relevant against the seemingly endless cavalcade of face-tatted SoundCloud youngsters, an artist has to consistently flood the…

May 10, 2019
#StreamingScene by Paul Attard Film

Dhayam | Kannan Rangaswamy

Billed as “the first Indian film to be shot inside a single room,” Dhayam proves that some ideas are so inane that just maybe they aren’t enough to sustain a film. (In any case, there are multiple shots used throughout Dhayam involving the cast…

May 1, 2019
#KickingtheCanon by Paul Attard Music

Nas | Illmatic

In 1982, Grandmaster Flash and the Furious Five released what’s largely considered the first ‘conscious’ mainstream rap single, “The Message,” a harrowing seven-minute journey into the hellish existence of project housing and the means one must utilize to escape it. Freedom from this infernal…

April 26, 2019
#KickingtheCanon by Paul Attard Music

The Beach Boys | All Summer Long

All Summer Long signals the beginning of the end of an era for the Beach Boys: the soon-to-be pioneers hadn’t yet ditched their upbeat, California surf-rock, but their ambitions — or more accurately, Brian Wilson’s — swelled beyond the sometimes superficial teenybopper hits of previous years. Their songwriting here…

March 2, 2019
#KickingtheCanon by Paul Attard Music

Madonna | Madonna

A few months after the release of her self-titled debut, a then fresh-faced Madonna went on American Bandstand to perform one of her album’s biggest hits: the six-minute-long, infectiously breezy, post-disco odyssey “Holiday.” Dressed in all black and surrounded by an adoring audience, the “Detroit”…

February 4, 2019
#KickingtheCanon by Paul Attard Music

Green Day | Dookie

Before the eye paint, the brain-dead political anthems, and their embrace of radio-friendly sensibilities, Green Day was a raggedy assembled trio of stoner misfits with rockstar ambitions, similar to Hüsker Dü, and a sound in line with the Replacements. (Though lead vocalist/guitarist Billie Joe…

January 27, 2019
In Review | Online film and music criticism