Browsing Tag

1978

#KickingtheCanon by Jason Gubbels Music

Cecil Taylor | Cecil Taylor Unit

March 13, 2015
Cecil Taylor, Moers Jazz Festival, maggio ; ;1978, Cecil Taylor sextet
Fotogramma selezionato per MUSICHE (Lelli e Masotti)

In a career marked by artistic triumphs, one might just as easily track Cecil Taylor’s long journey by highlighting his periods of exile. He was still scrubbing dishes in a food joint even while Down Beat gushed over his performances. The Five Spot Cafe kicked him to the curb after drink receipts for his six-week engagement failed to break even. An early 1970s academic gig teaching music at the University of Wisconsin ended in disarray when he flunked over half of his barely-attendant…

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by Daniel Gorman Feature Articles Film

Bullet to the Head Director Walter Hill’s Action Poetry

February 1, 2013
Walter Hill's Action Poetry

Today marks the return of Walter Hill to the big screen—with the Sylvester Stallone-starring Bullet to the Head, the director’s first theatrically released film since 2002’s Undisputed. His two-hander action poetry has surely been missed; it’s the kind of tough, taciturn, no-nonsense genre filmmaking that’s frequently dismissed by middlebrow critics and sorely lacking in today’s blockbuster-spectacle-superhero-driven marketplace. Hill, like his contemporary John McTiernan (or Howard Hawks before them), specializes in genre films revolving around professionals doing a “job of work,”…

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by Simon Abrams by Steve Carlson Podcasts

Bad Idea Podcast | Episode 8

November 1, 2011
BIP8

#8: Kentucky Crapwagon: The Horror Cinema of William Girdler Download episode here. Episode Description: This month, Steve & I, the Click and Clack of DIY movie podcasts, get festive with a Halloween-themed episode dedicated to the horror films of William Girdler. Girdler is the director of such films as Abby, the rather hard-to-find blaxploitation rip-off of The Exorcist, and Grizzly…

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by A.A. Dowd Feature Articles Film

Alternating Currents | Under Construction: Notes on the ‘Notes’ of Saul Levine

August 7, 2010
SaulNewLeft

Most of us are loathe to admit it, but the job of a film critic is, more often than not, that of a glorified publicist. The best among us aspire to more—to enlightenment, to intellectual engagement, to the communication of everything this oh-so-young artistic medium is capable of conveying. On our best days, we get there. Other days, working the beat, grinding out the copy, we forget the difference between what we do and what those Hollywood mad men do.…

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