Browsing Tag

2015

by Kenji Fujishima Retrospective

Tokyo Tribe | Sion Sono

Though the presence of Shota Sometani, the tortured lead actor of Sion Sono’s Himizu—who’s even sporting the same gray hoodie he wore in that previous film—establishes a link between Sono’s more serious Fukushima Daiichi disaster-related films, Tokyo Tribe is resolutely in the maximalist vein of the director’s…

August 26, 2016
#BlockbusterBeat by Matt Lynch Film

The Hateful Eight | Quentin Tarantino

The Hateful Eight often plays like a mean prank, and maybe that shouldn’t come as a surprise from Quentin Tarantino, who’s simultaneously one of the most powerful storytellers working and a self-indulgent loudmouth provocateur. This time he’s practically daring fans and detractors alike with a…

December 24, 2015
by Charles Lyons-Burt Film

Creed | Ryan Coogler

Ryan Coogler’s Rocky spin-off Creed begins, evocatively, in a juvenile corrections facility. A handsomely framed shot depicts a line of African-American boys filing through a gated door, before the camera pushes into the room on the other side where a fight has broken out.…

December 17, 2015
#BlockbusterBeat by Matt Lynch Film

The Big Short | Adam McKay

News to absolutely nobody: in 2008 a mounting, toxic combination of sheer cluelessness and outright lawbreaking caused the US housing market to collapse, leading to a massive taxpayer-funded government bailout of several enormous financial institutions. In the wake of this, very little new legislation…

December 17, 2015
by Ty Landis Film

James White | Josh Mond

A stain of blood remains on a shower window after a night of debauchery, a son miles away from home tells his mother, “I love you” on the phone in a subtle register that suggests a history of tenderness and an immediate obligation of…

December 17, 2015
by Willow Catelyn Maclay Film

Carol | Todd Haynes

Like someone’s old love letters or the keepsake wilted flowers of a first love, Carol has the feel of a kind of attic picture that’s been sitting and collecting dust for years, an appropriate matching of form and function. Shot on grainy 16mm, director…

December 17, 2015
by Luke Gorham by Sam C. Mac Film

Where to Invade Next | Michael Moore

Where to Invade Next is really a whole bunch of different movies, but just about each one of them is incisive and humane. Michael Moore’s approach here is almost essayistic, allowing his new documentary’s constituent parts to fluidly integrate into a broader assessment of international cultural…

December 12, 2015
by Luke Gorham Film

Brooklyn | John Crowley

The biggest surprise of Brooklyn is how determinedly sweet it remains to the end, its period vibrancy bordering on the genteel. In navigating the push-pull narrative of Eilis (Saoirse Ronan), a young Irish girl who relocates to New York in the early ’50s, director John Crowley leaves little doubt…

December 10, 2015
In Review | Online film and music criticism