Ever since his 2003 debut, House of 1000 Corpses, Rob Zombie has used cinema to engage the paradox of counter-cultural extremity and populism. Raised as a child of the seventies – who saw violent episodes unfold in his family’s travelling carnival – Zombie built up an eclectic reserve of reference points. (Not only from the carnie world, but also through a vast array of pop cultural phenomena, from Tod Browning to ABBA to Black Sabbath to Evel Knievel to Steven…
The recently released High Life is perhaps the first film by septuagenarian Claire Denis with a plot fit for an elevator pitch: “Robert Pattinson fucks in space.” Of course, one doesn’t watch Denis’s sensuous, involuted films for their plots, which tend to be shattered…
Unity of Opposites: Glass and a Decade of M. Night Shyamalan
It would be difficult to summarize the aesthetic of M. Night Shyamalan’s work of the past decade in one fell swoop, but there are a number of characteristics typical of his preoccupations which we can see as forming a link. He makes clear distinctions between…
In Yourself and Yours, we find Hong Sang-soo amusing himself by writing scenes that are completely ambivalent in nature, mainly due to having lead actress Lee Yoo-Young play a woman, Min-jeong, who refuses to be identified — either to other characters, to the audience,…
Distilled down to a one-sentence summary, the calmly melancholic Right Now, Wrong Then is the very essence of a Hong Sang-soo film: A bibulous director pursues an alluring young woman, and things go awry. With its sad, voluble characters drowning their problems in soju;…
#32: Beyond the Masked Tortilla: Musicians Making Movies Download episode here. Episode Description: “This is where we came in…” Like guilty men returning to the scene of a crime, Simon and Steve decide to revisit an idea they’ve had before — in fact, the idea behind the very…
The 16th annual New York Asian Film Festival recently ended its two-week run. We’ve already published two dispatches from the fest—for our third and final one, we have a few quick-takes on some exciting new Japanese films, including another entry in Nikkatsu’s Roman Porno reboot (Isao Yukisada’s Aroused by Gymnopedies),…
The 16th annual New York Asian Film Festival (June 30th – July 16th) is now nearing the end of its two-week run. Our first dispatch included films from Taiwan, Thailand, Japan, Hong Kong, China, and North and South Korea. Dispatch 2 skews more extensively Chinese, including two…
The 2017 BAMcinemafest ends this Sunday, and this dispatch concludes our coverage. Among the takes below, you’ll find several more holdovers from Sundance—including hit comedy The Big Sick and Alex Ross Perry’s unfairly panned Golden Exits—and two films (a narrative and a documentary) from American indie film director Michael Almereyda. Be sure to also…
Through a career that’s spanned 16 mixtapes (four of them released commercially), three label deals (Cash Money Records, 1017 Records, and 300 Entertainment), and yet still no studio album, Young Thug has maintained a reputation as the most elusive rapper going; one really need only listen to…