Browsing Tag

2016

by InRO Staff Features Festival Coverage

New York Asian Film Festival 2017 – Dispatch 3

July 19, 2017
The Mole Song

The 16th annual New York Asian Film Festival recently ended its two-week run. We’ve already published two dispatches from the fest—for our third and final one, we have a few quick-takes on some exciting new Japanese films, including another entry in Nikkatsu’s Roman Porno reboot (Isao Yukisada’s Aroused by Gymnopedies), a project which we wrote about in our first dispatch from the fest; the latest film from the very prolific Takashi Miike (The Mole Song: Hong Kong Capriccio); and a deceptively grim psychological horror effort from divisive cult auteur Sabu (Happiness).…

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by InRO Staff Features Festival Coverage

New York Asian Film Festival 2017 – Dispatch 2

July 11, 2017
Mad-World

The 16th annual New York Asian Film Festival (June 30th – July 16th) is now nearing the end of its two-week run. Our first dispatch included films from Taiwan, Thailand, Japan, Hong Kong, China, and North and South Korea. Dispatch 2 skews more extensively Chinese, including two films that were actually already released in theaters in the U.S. (Han Han’s Duckweed and Derek Tsang’s Soul Mate) and several first-time filmmakers (Wong Chun with Mad World, Derek Hui with This Is Not What I Expected, and Liu Lin with Someone to…

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by InRO Staff Features Festival Coverage

BAMcinemafest 2017 – Dispatch 2

June 22, 2017
goldenexits

The 2017 BAMcinemafest ends this Sunday, and this dispatch concludes our coverage. Among the takes below, you’ll find several more holdovers from Sundance—including hit comedy The Big Sick and Alex Ross Perry’s unfairly panned Golden Exits—and two films (a narrative and a documentary) from American indie film director Michael Almereyda. Be sure to also check out our first dispatch, which featured new films from the Amer-indie scene’s Aaron Katz, Stephen Cone, and Koganda. You can also find the remainder of the fest’s full schedule here.…

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by Paul Attard Features

2016 in Review — Young Thug | Jeffery

January 17, 2017
young thug

Through a career that’s spanned 16 mixtapes (four of them released commercially), three label deals (Cash Money Records, 1017 Records, and 300 Entertainment), and yet still no studio album, Young Thug has maintained a reputation as the most elusive rapper going; one really need only listen to his music to get a sense of his radically non-conforming style, which relies heavily on unpredictable, usually high-pitched vocal fluctuations. In a growing sphere of auto-tuned “mumble rap,” Thug stands out for his sound specifically. But that’s…

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by Paul Attard Current Film

Manchester by the Sea | Kenneth Lonergan

December 28, 2016
manchester

What Kenneth Lonergan understands, probably better than any other writer-director working today, is how difficult it is to communicate grief in a convincing way on screen. With three feature films thus far, Lonergan’s acute exploration of coping mechanisms seems almost universal in scope, yet minimal in execution; with Manchester by the Sea, he’s crafted another incredibly…

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by Paul Attard Current Film

The Handmaiden | Park Chan-wook

December 28, 2016
the-handmaiden

Park Chan-wook’s career has largely been steeped in a particular fusion of twisty revenge narratives padded with philosophical implications. His latest, The Handmaiden, feels particularly lacking in the latter area. In a 1930s, Japanese-occupied Korea, Sook-hee (Kim Tae-ri) is hired by conman Fujiwara (Ha Jung-woo) to assist in stealing the fortune of a Japanese heiress (Kim Min-hee of…

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by Lawrence Garcia Current Film

Toni Erdmann | Maren Ade

December 25, 2016
toni

On paper, the premise of Maren Ade‘s Toni Erdmann—a prankster father, Winfried (Peter Simonischek), drops in unannounced on his daughter Ines (Sandra Hüller), a high-powered managing consultant working in Bucharest—seems like a recipe for disaster, a concept more…

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by Matt Lynch Current Film

Rogue One: A Star Wars Story | Gareth Edwards

December 13, 2016
star-wars-rogue-one

Soon, just as there are plenty of adults who no longer remember a world before The Simpsons, nobody will recall a time when, for good or ill, there was not a new annual Star Wars movie. It’s no longer enough (neither for shareholders nor pop culture at large) to expect a new installment of the core saga every few years (let alone every other decade), so with Rogue One: A Star Wars Story, Disney kicks off a line of one-off adventures. This one, set…

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by Matt Lynch Current Film

Fantastic Beasts and Where to Find Them | David Yates

November 18, 2016
fantastic-beasts

The Harry Potter franchise officially becomes an Expanded Cinematic Universe with Fantastic Beasts and Where to Find Them, the first in what Warner Bros. promises will be five J.K. Rowling-scripted original films, prequels to the Potter‘s proper. Centering around conservationalist wizard Newt Scamander (Eddie Redmayne), who travels the globe capturing said fantastic beasts and shoving them into…

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by Matt Lynch Current Film

Doctor Strange | Scott Derrickson

November 3, 2016
doctor-strange

If the source material for Doctor Strange, the 14th entry in the Marvel Cinematic Universe, suggested the company might finally be open to the surreal potential of their comics, what with sorcerers and cross-dimensional antics, the payoff is surprisingly dull, despite some frequently amusing eye-candy. The final third of last year’s Ant-Man was ultimately much trippier (and funnier), even though both films share the same problem…

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by Matt Lynch Current Film

Hacksaw Ridge | Mel Gibson

November 3, 2016
hacksaw-ridge

Based on the true story of Army Medic Desmond Doss (Andrew Garfield here), a devout Seventh-Day Adventist and conscientious objector who rescued dozens of soldiers while refusing to kill an enemy or carry a weapon, Mel Gibson’s latest directorial effort is both a simple, deliberate Johnny-Goes-To-War melodrama and an incredibly brutal depiction of combat.…

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by Lawrence Garcia Features Festival Coverage

Vancouver Film Festival 2016 – Future // Present

October 28, 2016
werewolf

One of the most exciting developments of this year’s Vancouver International Film Festival was the introduction of Future // Present, a program focused on new films from emerging Canadian filmmakers. Curated by critic and programmer Adam Cook, the eight films shown—from predominantly first-time feature filmmakers—were diverse in form and content, ranging from narrative fiction…

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