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Josh Mond

by Ty Landis Film

James White | Josh Mond

December 17, 2015

A stain of blood remains on a shower window after a night of debauchery, a son miles away from home tells his mother, “I love you” on the phone in a subtle register that suggests a history of tenderness and an immediate obligation of proximity between the two. The blood and the phone call can be read as mostly unrelated moments but they exist as remnants of lived-in experience rather than broad strokes, each aiding in our understanding of the…

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