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#StreamingScene by Alex Engquist Film

Occidental | Neïl Beloufa

January 10, 2019
Occidental

The first feature from French-Algerian visual artist Neïl Beloufa is an odd hybrid of comic arthouse thriller and Brechtian installation piece. Set in a shabby 1970s-chic Parisian hotel, in present day — with protestors facing off against riot police outside in the street — Occidental immediately establishes its atmosphere of retro Euro-sleaze tinged with a contemporary sense of impending doom. When louche, mustachioed Paul Hamy (the protagonist/lust object from João Pedro Rodrigues’s The Ornithologist)…

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#StreamingScene by Greg Cwik Film

Flowers of Taipei: Taiwan New Cinema | Hsieh Chinlin

January 4, 2019
flowers of taipei

In the early 1980s, as the West was succumbing to the avaricious allure of Reaganism, Taiwan was undergoing a profound, progressive transformation. The country began to democratize in the wake of the Zhongli incident, and became a global economic power, as trade unions proliferated and salaries rose across the country. The children of the ’50s and ’60s grew up and, having spent their youth combatting a flummoxing identity crisis inherited from their parents, they began to explore the tumult of the…

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#StreamingScene by Sam C. Mac Film

Red Amnesia | Wang Xiaoshuai

December 3, 2018
RED AMNESIA / Chuangru zhe (2014), directed by Wang Xiaoshuai.

A leading light of China’s Sixth Generation movement, Wang Xiaoshuai was at the vanguard of a 1990s cinema that dared to grapple with the immediate aftermath of Tiananmen. Films like 1994’s The Days and 1997’s Frozen captured the fractured psyche of a generation that thought they were a generation of change, but had those dreams disillusioned by oppressive violence. With Red Amnesia, Wang completes a trilogy of films (following 2005’s Shanghai Dreams and 2013’s 11 Flowers) — which have essentially affirmed that this cycle of aspiration and disillusionment has absolute precedent in…

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#StreamingScene by Lawrence Garcia Film

The Wild Boys | Bertrand Mandico

November 19, 2018
The Wild Boys

The Wild Boys opens with a shimmering black-and-white title card, an homage to Kenneth Anger’s Fireworks, and voiceover that soon takes the viewer back to the violent origin of this delirious, gender-bending tale. Fueled by an impulse dubbed only “TREVOR” (which may stand in for hormonal adolescent fervor, violent masculine tendencies, or both), a group of five pubescent boys (all played by women) assault and murder their literature teacher in an orgiastic recreation of Macbeth.…

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