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Noah Baumbach

by InRO Staff Film Year in Review

Year in Review 2017 – Film

December 29, 2017
Film Feature

The finest films of 2017 simultaneously offered us a respite from, and a deeper reflection on, our fraught and fractured social and political realities. In sharp contrast to our unfortunate tendency to segregate ourselves with social media-fueled enclaves and ecosystems that do little more than reflect our own thoughts, opinions, and POVs back at us ad infinitum, these films cut through all that, artfully, and often provocatively, reminding us of the common humanity we share even with those who would seem to…

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by InRO Staff Festival Coverage Film

New York Film Festival 2017 – Dispatch 3

October 11, 2017
Zama

In our third dispatch from this year’s New York Film Festival (the first is here, second here): the “director’s cut” version of Arnaud Desplechin’s sprawling career summation, Ismael’s Ghosts; Argentinian filmmaker Lucretia Martel makes her long-awaited return with 18th century colonialist tale Zama; and Noah Baumbach’s latest dramedy, The Meyerowitz Stories (New and Selected).…

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by Matt Lynch Film

De Palma | Noah Baumbach, Jake Paltrow

June 17, 2016
De Palma (2016)

Comprised of almost nothing but movie clips and interview footage, De Palma features none of its subject’s formal innovation, and so it’d be easy to write off as a glorified bonus feature. Very few of those, however, are as wildly entertaining as this one. Directors Noah Baumbach and Jake Paltrow have leveraged their long friendship with Brian De Palma into something that could have quite easily been a bunch of bland making-of info but instead is a still-lively filmmaker reflecting on his…

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by Matt Lynch Film

While We’re Young | Noah Baumbach

April 9, 2015
While We're Young (2015)

Noah Baumbach’s Greenberg opened with Greta Gerwig’s character, a young woman working as a wealthy man’s personal assistant, trying to merge into traffic, saying “Are you gonna let me in?” Baumbach’s latest, While We’re Young, begins with a quote from Ibsen’s The Master Builder in which a young woman suggests to a dying architect that he “open the door to the younger generation.” While We’re Young is in some ways a recontextualization of Greenberg; in both films Ben Stiller plays a man trapped psychologically by his emotional hangups and professional…

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