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Drew Hunt Retrospective Film

Himizu | Sion Sono

August 25, 2016
Himizu

Sion Sono’s near-masterpiece Himizu takes place in the shadow of the 2011 Tohoku earthquake and tsunami and ensuing Fukushima Daiichi nuclear meltdown, the largest such event since Chernobyl in 1986. The disaster left the surrounding area and national psyche ravaged, but if we’re to believe the film’s pessimistic view of Japanese society, Fukushima Daiichi wasn’t the only toxic thing about contemporary Japan. An unabashedly gloomy coming-of-age tale, Himizu turns a scornful eye toward a culture that promotes individualism while simultaneously hindering…

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by Jake Mulligan Retrospective Film

Guilty of Romance | Sion Sono

August 25, 2016
Guilty of Romance

An unfulfilled housewife drifts away from her mannered husband by selling her body whenever he’s away in Sion Sono’s Guilty of Romance—a film that seems in conversation with Luis Buñuel’s classic Belle de Jour. As with his forebear, the central transgression Sono is after is the wandering sex life of an ostensibly monogamous woman, a subject the director makes personal in both writing and casting. The kept woman is Izumi Kikuchi (Megumi Kagurazaka, Sono’s wife), who’s left to rigorous housekeeping each day. Her perpetually domineering husband makes…

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by Sean Gilman Retrospective Film

Love Exposure | Sion Sono

August 22, 2016
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Sion Sono’s Love Exposure is an epic, four-hour romantic comedy about terrible fathers, upskirt photography, Catholicism, and the meaning of love. Where Sono’s Bicycle Sighs could be categorized as a fairly typical minimalist art film, and his Suicide Club firmly entrenched itself in the millennial wave of Japanese horror, Love Exposure is much less easy to peg—a wholly original pop construct springing forth from its auteur’s cracked heart. If the film has a stylistic precursor at all, it’s the freewheeling exuberance of ’70s exploitation cinema: the…

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