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Takashi Miike

by InRO Staff Features Festival Coverage

New York Asian Film Festival 2017 – Dispatch 3

July 19, 2017
The Mole Song

The 16th annual New York Asian Film Festival recently ended its two-week run. We’ve already published two dispatches from the fest—for our third and final one, we have a few quick-takes on some exciting new Japanese films, including another entry in Nikkatsu’s Roman Porno reboot (Isao Yukisada’s Aroused by Gymnopedies), a project which we wrote about in our first dispatch from the fest; the latest film from the very prolific Takashi Miike (The Mole Song: Hong Kong Capriccio); and a deceptively grim psychological horror effort from divisive cult auteur Sabu (Happiness).…

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by InRO Staff Features

Best of the Decade in Horror (2000 – 2009)

November 1, 2009
Wolf Creek banner

Few genres lend themselves as well to a specific holiday as horror does to Halloween. Not every film of the genre directly connects with the holiday (though there’s about 90 Halloween sequels to compensate), but the vibe of Halloween night, the tradition of dressing up like so many horror movie icons, certainly aligns the two in a way that’s hard to deny. So on the occasion of the last Halloween in the first decade of the new millennium…

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