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Valeska Grisebach

by InRO Staff Feature Articles Film Year in Review

Top 10 Films of 2018 (So Far)

July 10, 2018
HalftimeFilm

Yesterday, we presented our Top 10 Albums of the Year (So Far). Today, we do the same for film — which also gives us the chance to offer takes on some films that haven’t been covered in our regular Blockbuster Beat reviews. (In fact, not a single “blockbuster” made the list, unless you count that dog movie we failed to review during its release.) Generally speaking, our best films of 2018 are actually from 2017: festival premieres from Toronto, Cannes, Sundance, etc. that took…

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by InRO Staff Festival Coverage Film

New York Film Festival 2017 – Dispatch 2

October 3, 2017
Lover for a Day

In our second dispatch from this year’s New York Film Festival (the first is here), we take a look at the veteran Polish filmmaker Agnieszka Holland’s “quietly radical” Spoor; the contemporary political implications of “Berlin School” director Valeska Grisebech’s neo-western, Western; two black-and-white films about infidelity, Hong Sang-soo’s The Day After and Phillipe Garrel’s Lover for a Day; and the NYFF’s Opening Night selection, Richard Linklater’s Iraq War-era dramedy, Last Flag Flying.…

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