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by Peter Labuza

by Peter Labuza Film

A War | Tobias Lindholm

In Tobias Lindholm’s A Hijacking, the filmmaker staged a Somali pirate hostage negotiation in real time. The film was all business, keeping any opinions about morality and politics close to the vest until its third act twist. Lindholm’s latest, A War, eschews laser-focused attention for quiet contemplation, and with…

by Peter Labuza Film

Listen Up Philip | Alex Ross Perry

Near the end of Listen Up Philip, the audacious third feature from Alex Ross Perry, narcissistic author Philip (Jason Schwartzman) attempts to rekindle some sympathy from his ex-girlfriend, Ashley (Elizabeth Moss). Perry shoots the sequence with a door framed between them as Ashley explains…

by Peter Labuza Film

Whiplash | Damien Chazelle

There’s a moment near the end of the second act of Damien Chazelle’s sophomore feature Whiplash that threatens to completely derail the narrative: a character gets into what looks like a fatal car accident and keeps moving like he’s the Terminator. But that moment…

by Peter Labuza Film

Jersey Boys | Clint Eastwood

The first thing you may notice about Jersey Boys is the lighting—or more specifically, the light sources. Set mostly in darkened rooms that look as if all the air’s been sucked out of them, numerous shot point to light sources in the foreground: table lamps at…

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