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by Veronika Ferdman

by Veronika Ferdman Retrospective

Exte: Hair Extensions | Sion Sono

When the director of a film is also its screenwriter it’s relatively safe to assume that what you’re watching—outside interference notwithstanding—is a story that they actually wanted to tell. It then becomes endlessly amusing to consider what it must be like to wake up every…

August 18, 2016
by Veronika Ferdman Film Kicking the Canon

Night Tide | Curtis Harrington

Curtis Harrington’s Night Tide screened in 1963 as the second half of an Edgar Allan Poe inspired double bill alongside Roger Corman’s The Raven. It is almost unfathomable that a film as guileless and pure and innocent (but not naive) as this could ever be made today. Harrington’s…

March 16, 2015
by Veronika Ferdman Film

The Gambler | Rupert Wyatt

If you haven’t seen Karel Reisz’s 1974 The Gambler before seeing Rupert Wyatt’s new Mark Wahlberg-starring remake, don’t watch it in close proximity to the new version. Here is yet another classic case of an original that makes the flaws of the remake seem…

December 23, 2014
by Veronika Ferdman Film

White Bird in a Blizzard | Gregg Araki

Whether or not one ultimately finds David Fincher’s recent film Gone Girl feminist, misogynist, or somewhere in between, it is thrilling to see a narrative so wickedly and deliciously crafted by the mysteriously vanished Amy, the words of her diary giving presence to her…

October 24, 2014
In Review | Online film and music criticism