Luc Besson, famed French director of Léon: The Professional and The Fifth Element, returns from making the relatively obscure June and John (2025) to release…
January Reviews Week of December 28 Genre Views We Bury the Dead — Zak Hilditch January 2 by Daniel Gorman Read Review Week of January…
Moonglow Writing in e-flux Journal on Klute’s semicentenary, Isabel Sandoval discussed in detail the immeasurable influence of Alan J. Pakula’s neo-noir crime thriller — especially…
Writing in e-flux Journal on Klute’s semicentenary, Isabel Sandoval discussed in detail the immeasurable influence of Alan J. Pakula’s neo-noir crime thriller — especially its…
In any competitive race, the relevant agents can be organized as such: the spectators, who traditionally stay rooted to the spot and view its proceedings…
Why 2025 was a year rich in films with purgatorial motifs — everything from Oliver Laxe’s Sirât to Alex Ullom’s It Ends — is a…
So rare is contemporary parlance’s penchant for the optimistic, and so sparse are its vocabularies for the beatific, that Cynthia Beatt’s monumental Heart of Light…
The best mysteries always maintain an air of… well, mystery about them. Propelled by the fear, pain, and panic of having all too many questions…
What happens when an act of resistance evolves from a single event into a living condition? In her debut feature, Why Do I See You…
There’s no one out there making them quite like Alan Mak, for better or worse. One-third of the team behind the Infernal Affairs series, along…
After a long career as an actress, Marijana Janković stepped behind the camera to tell the story on her own terms. Her debut feature Home,…
One of the most impressive first features to debut in 2025 was My Father’s Shadow. Screened for the first time at the Cannes Film Festival,…
Moments in pop music come and go, but none in recent memory have been eulogized quite like brat summer. Within a year, the promotional tail…
There’s a school of thought that would read Pillion’s ending as a positive sentiment, in which a man who blunders his way into the BDSM…
Nightmare’s Advice Renaud Després-Larose and Ana Tapia Rousiouk, along with their frequent collaborator Olivier Godin, represent an alternative stream of Quebecois cinema, one that is…
Renaud Després-Larose and Ana Tapia Rousiouk, along with their frequent collaborator Olivier Godin, represent an alternative stream of Quebecois cinema, one that is both shoestring…
Charlotte Zhang’s docu-fiction of contemporary and prospective Los Angeles, Tycoon, contends with events both real and imagined, intimate and global. In it we follow Lito…
Among all the defenses for art (as if art ever needed defending), the “timeless and universal” argument has the biggest currency. In this argument, human…
Tunnels: Sun in the Dark is a rarity in the West: a film about the Vietnam War told entirely from the perspective of the Viet…
An unsettling drone hums underneath nearly every scene of Juja Dobrachkous’s sophomore film Accept Our Sincere Apologies, a sound signaling that even seemingly innocuous moments…