The Hand of God is a softer but no more subdued effort from Sorrentino, still rife with flourish but with a more personal core than…
Paolo Sorrentino’s Loro is art in the Age of Trump — so basically the most weak-sauce imaginable critique of a buffoonish caricature (former Italian Prime Minister…
OK, so things don’t really vanish anymore: even the most limited film release will (most likely, eventually) find its way onto some streaming service or into…