In Review Online | Film & Music Criticism

The Boy and the Heron — Hayao Miyazaki

Kimitachi wa dô ikiru ka, retitled The Boy and the Heron for the English-speaking world but better translated as How Do You Live?, is…

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Shattered Camaraderie: Revisiting Michael Roemer’s Vengeance is Mine

Before the colonization of New England by the forebears of the American empire, what would come to be known as Rhode Island today was…

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Concrete Utopia — Um Tae-hwa

An environmental disaster has rendered, seemingly, the entire world uninhabitable, with the last remnants of humanity clinging to a relic of the past, representing…

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Godzilla Minus One — Takashi Yamazaki

Despite the decimal of Godzilla Minus One‘s Japenese title, written as -0.1, echoing Hideaki Anno’s Rebuild of Evangelion series, Tōhō’s iconic series has taken…

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Silent Night — John Woo

John Woo is perhaps the greatest director of action films of the last 40 years; at the very least, the competition is quite slim.…

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Featured• Film• InRO Weekly

InRO Monthly — November 2023

December 1, 2023

In This Issue: FEATURES: IT‘S BACK: ADAPTATIONS OF STEPHEN KING’S HORROR EPIC by Mike Thorn FILM FESTIVAL COVERAGE: AFI FEST 2023, coverage by Andrew Dignan: American Fiction (Cord…

Credit: Studio Ghibli/GKIDS

by Matt McCracken• Featured• Film• Spotlight

The Boy and the Heron — Hayao Miyazaki

December 5, 2023

Credit: Vinegar Syndrome

by Joshua Peinado• Essays• Feature Articles• Featured• Film

Shattered Camaraderie: Revisiting Michael Roemer’s Vengeance is Mine

December 5, 2023

Credit: Lotte Entertainment

by Andrew Dignan• Featured• Film• Genre Views

Concrete Utopia — Um Tae-hwa

December 4, 2023

by Esmé Holden• Featured• Film• Genre Views

Godzilla Minus One — Takashi Yamazaki

December 4, 2023

Credit: Lionsgate

by Matt Lynch• Featured• Film• Genre Views

Silent Night — John Woo

December 4, 2023

Credit: Vivo Films/Fortuna Films

by Steven Warner• Featured• Film• Horizon Line

A Male — Fabián Hernández

December 4, 2023

by Conor Truax• Feature Articles• Featured• Interviews

Movies for a Free Person: A Conversation with the Cast & Crew of The Sweet East

December 2, 2023

Credit: Jeonwonsa Film Co.

by Ryan Swen• Featured• Film• Spotlight

in water — Hong Sang-soo

December 1, 2023

Credit: Brainstorm Media

by Daniel Gorman• Featured• Film• Genre Views

Raging Grace — Paris Zarcilla

December 1, 2023

Credit: Beijing Dino/Tianjin Maoyan Weying Media/Zhejiang Hengdian Film Production

by Noel Oakshot• Featured• Film• Genre Views

Last Suspect — Zhang Mo

December 1, 2023

Credit: Brooke Palmer / Warner Bros. / Allstar / Lorimar Television

by Mike Thorn• Essays• Feature Articles• Featured• Film

It‘s Back: Adaptations of Stephen King’s Horror Epic

November 30, 2023

Credit: Marathon Films & Base 12

by Zach Lewis• Featured• Film• Horizon Line

The Sweet East — Sean Price Williams

November 29, 2023

Credit: Film Movement

Before We Vanish• by Joshua Polanski• Featured• Film

White River — Ma Xue

November 28, 2023

Credit: Courtesy of Sundance Institute

by Selina Lee• Featured• Film• Horizon Line

Eileen — William Oldroyd [Sundance ’23 Review]

November 28, 2023

Credit: Mubi/Janus Films

by Fred Barrett• Featured• Film• Kicking the Canon• Kicking the Canon

High and Low — Akira Kurosawa

November 27, 2023

Credit: The Cinema Guild

by Daniel Gorman• Featured• Film• Spotlight

The Daughters of Fire — Pedro Costa

November 27, 2023

Credit: Luke Lorentzen/Abramorama

by Dhruv Goyal• Featured• Film• Horizon Line

A Still Small Voice — Luke Lorentzen

November 24, 2023

Credit: James Hamilton/DOC NYC

by InRO Staff• Featured• Festival Coverage• Film

DOCNYC 2023 — Dispatch 2: Uncropped, Zinzindurrunkarratz, The Walk

November 24, 2023

Credit: James Hamilton/D.W. Young

by Travis DeShong• Featured• Film

Uncropped — D.W. Young [DOCNYC ’23 Review]

November 24, 2023

Credit: DOC NYC

by Dhruv Goyal• Featured• Film

The Walk — Tamara Kotevska [DOCNYC ’23 Review]

November 24, 2023

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