If you haven’t heard, Gen Z isn’t getting laid. Sex — who’s having it, and more importantly, who’s not — is paramount in Gregg Araki’s…
Over 40 years and as many movies into his career, Kiyoshi Kurosawa has finally made his first samurai film. Maybe it was the looming shadow…
Based on its tepid reception in Cannes earlier this year, one might reasonably expect Hirokazu Kore-eda’s new film Sheep in the Box to be a…
Harmony Korine gleefully threw genre cinema in the deep fryer with the hitman miasma of Aggro Dr1ft (2023). This year, Nicolas Winding Refn took it…
Aside from the late Jonas Mekas, Boston-based director Ross McElwee is probably the best-known practitioner of the diary film. For nearly 50 years, McElwee has…
The latest installment of Canadian filmmaker Louise Weard’s epic-length project Castration Movie is a departure in a few ways. For one thing, Part iii.ii, or…
Couture’s scenario reads like something straight out of the 1950s. Three women — an ingenue model from a humble background, a struggling makeup artist with…
In his trilogy of novels about the adolescence and adulthood of a young man closely modeled on himself, Edmund White distilled the essence of what…
There’s no place like home. For Joe (Seth Rogen), home has metastasized into such a calamity that it’s all he can think about when he’s…
If the end of the world left the children in charge, what kind of future might they build? This question simmers underneath a surface of…
In Michael Sarnoski’s The Death of Robin Hood, the titular outlaw of English folklore spends his final years wandering the moors of 13th-century Britain, trying…
“All films are time travel films, and all films are ghost films,” said filmmaker Mark Jenkin at a post-screening Q&A for the New York Film…
In John Carney’s latest work of music-centric cinema, Paul Rudd is Rick Power, frontman for The Bride & Groove, a Dublin-based wedding band. They tear…
Steven Spielberg’s latest venture into science fiction is also perhaps his most extensive venture into examining the properties and powers of the cross-cut. Emily Blunt…
The opening minutes of Kane Parsons’ directorial debut, Backrooms, are as good as old-school found footage horror gets. We’re stuck in the claustrophobic POV of a man…
Writer-director Boots Riley serves a vital role in the world of pop filmmaking, and that sentiment is not at all diluted by the fact that…
Not Arthur Rimbaud, but A. Rimbaud. The title of Patrick Wang’s latest film is the skeleton key that unlocks the principles behind its approach to…
More than three years after Russia’s full-scale invasion of Ukraine, and over a decade after the annexation of Crimea, a desire to put the inner…
Looking with a cynical eye, one might accuse Ildikó Eyendi — and not just in Silent Friend — of banality. The film’s three stories, taken…
In an old interview with David Ehrlich, filmmaker and critic Kent Jones recalls a conversation with Arnaud Desplechin in which the great French director told…
At the beginning of Lucrecia Martel’s first feature-length documentary, Our Land (originally titled Landmarks), we’re presented with satellite images of Earth. From this zoomed out…