Will Poulter’s course has been an unconventional one fo tollow. Breaking through in the UK when still a teen with sketch show School of Comedy…
Seeing the new KATSEYE documentary in August of 2026 is a lot like seeing a brand new feature from a recently deceased actor. Between filming…
The decadent luxury and moral rot of extreme wealth; a location as isolated as it is idyllic; lithe young bodies glistening in sunlight; the churning…
A nasty, ruthlessly streamlined throwback to the sleepover staples of the Reagan administration, David Robert Mitchell’s The End of Oak Street (unofficially) brings the curtain…
Marketed as “a Green Day comedy,” Lee Kirk’s newest film, Nimrods, could more fittingly be described as specious or surprisingly inept. Or, it could be…
Dedicating more attention to the practicalities and criminal underbelly of the farm-to-table honey industry than certainly any fiction film before it, Andrew Patterson’s The Rivals…
Relative to its paltry budget, 2001’s Super Troopers, the second film from American comedy troupe Broken Lizard (consisting of Jay Chandrasekhar, Kevin Heffernan, Steve Lemme,…
American independent filmmaker and cinematographer Rob Tregenza broke onto the scene with 1988’s Talking to Strangers, a somewhat Jarmuschian dramedy that was notable for being…
It’s a fair response for one to give less importance to mainstream directors when they downplay their themes or politics in interviews, for if the…
Something I learned over many years working in restaurants is that there are no cooks that work in them, no servers, no bartenders, no hosts…
Troubled souls trapped: the parameters of a typical Claire Denis narrative are rarely complex. Beau Travail’s French Foreign Legion soldiers were confined to their base…
Many of us can agree that 2026 has been a dark year, and the sights ahead only look dimmer. War, starvation, deportation, rising cost of…
As InRO’s own Jake Tropila makes note of in his recent piece on the killer-shark-in-a-cave-movie The Devil’s Mouth, “shark movies have been seemingly omnipresent all year”;…
It’s a shame I had to see Kent Jones’ Willem Dafoe vehicle, Late Fame, on the Upper West Side at NYFF in mid-September. It was…
“There is a hole in the lake where the movies come from” is one of those incredible lines that Teenage Sex and Death at Camp…
The quaint and rustic settlement of Sangerhausen, in Germany’s Saxony-Anhalt, might have been an incidental choice of setting, but much of Julian Radlmaier’s quietly revelatory…
While Hostel (2005) and Hostel: Part II (2007) are the immediate poster children for Eli Roth’s work as a horror director, his debut Cabin Fever…
Mexican director Fernando Eimbcke is a delight, a playful formalist in a sea of self-serious festival auteurs. But because comedy is often viewed askance by…
Lou Diamond Phillips, now over 40 years into his acting career, has quietly become one of our more reliable screen performers. His big break came…
Thomas Kail’s live-action Moana retains the 2016 animated film’s narrative and musical architecture so faithfully that the change of medium amounts largely to a substitution…
It seems like there are only two certain things nowadays: death and new Spider-Man movies. Audiences apparently just love the character, so much so that…