Lee Chang-dong retrospective…
Coming Soon! Published as part of the retrospective Lee Chang-dong: The Impossible Present (or, How to Reappear Completely).
Coming Soon! Published as part of the retrospective Lee Chang-dong: The Impossible Present (or, How to Reappear Completely).
Coming Soon! Published as part of the retrospective Lee Chang-dong: The Impossible Present (or, How to Reappear Completely).
Coming Soon! Published as part of the retrospective Lee Chang-dong: The Impossible Present (or, How to Reappear Completely).
Coming Soon! Published as part of the retrospective Lee Chang-dong: The Impossible Present (or, How to Reappear Completely).
Coming Soon! Published as part of the retrospective Lee Chang-dong: The Impossible Present (or, How to Reappear Completely).
Since stepping down as In Review Online’s Editor-in…
How do you conjure a spectacle as a mere man? Real spectacle, the kind that rivals the infinite colorful vistas of the Northern Lights or the deep terror of a thunderstorm, is the product of God, nature, and Hollywood. Meanwhile, independent movies are the realm of either cheaper thrills or serious lectures or the modernist
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Twixt (2011) closes the gap between Francis Ford Coppola’s Corman-produced horror debut, Dementia 13 (1963), and his 21st-century excursions into low-budget experimentation, Youth Without Youth…
Before anything else, before any talk of its “uneven narrative” (per the otherwise complimentary Rotten Tomatoes critic’s consensus), it’s worth considering the contours of Francis…
Just as Megalopolis could be seen as a parable about Coppola’s own empire — Zoetrope, circa One from the Heart — Youth Without Youth is…
The Rainmaker may have been a gun-for-hire assignment Francis Ford Coppola did for the paycheck at the height of John Grisham movie mania and during…
Not much is said about the blemishes of an auteur’s career, especially if they prove to be wholly uncharacteristic of its maker’s blueprint. Idiosyncratic in…
Cinema’s obsessions with images are the result of its propensity for their proliferation: although literature tempts the wayward imagination, cinema is what drives it truly…
Sandwiched between the populist comedy of Tucker: The Man and His Dream (1988) and the lurid fantasia machinery of Bram Stoker’s Dracula (1990), Coppola returned…
At age six, Francis Ford Coppola waited for a Tucker Torpedo to arrive in his driveway. His grandfather, Agostino, was among Hollywood’s first generation of…
If every Coppola movie is also a documentary of its making, Gardens of Stone is the most haunted. One year before its release, Francis’s oldest…
As successful as Coppola was in the 1970s, with four consecutive films garnering massive critical and/or box office success, the 1980s proved to be a…
In a way, it’s odd that Coppola decided that The Cotton Club required a concluding fantasy sequence. Yes, as a movie musical, The Cotton Club…
In 1982, Francis Ford Coppola briefly made dramatizing the works of young adult author S.E. Hinton his entire personality. Licking his wounds in the aftermath…