In his 2020 dark comedy Dinner in America, director Adam Carter Rehmeier captured the stifling stagnancy of life in suburban America and the simmering urge…
A woman gazes out a window before heading to an event to receive an award. As the pleasantries die down, her smile fades, and she…
Renoir went relatively unnoticed when it premiered in competition at last year’s Cannes Film Festival, its squat, youthful perspective perhaps lost amid the crowd of…
A ghost story doesn’t always have to manifest in slamming doors and falling objects. A possession might not send your body writhing in manic contortions…
Patrick Wang has been operating on his own terms since his filmmaking career began in 2011 with In the Family. The nearly three-hour story of…
While some cinema traditionalists may wring their hands at the prospect of YouTubers taking over the world, we’re at a point where it’s no longer…
The plant world is a marvel of sight and sound, this Ildikó Enyedi knows. Across several features, the Hungarian writer-director has been steadily uprooting the…
Initially undistributed and reportedly rejected by film festivals such as Sundance and SXSW last year, prior to the acquisition courtesy of rookie distributor Obscured Releasing…
The Burmese python — an invasive species eating into native animal populations in the Florida Everglades — might be at the heart of Xander Robin’s…
Shot on a Sony PD150 handheld, with very few, if any, location permits, and a lead actress change halfway through production, City Wide Fever shouldn’t…
Sometimes you just want to be scared. Is that too much to ask? Not if you’re Damian Mc Carthy. Across three features, the Irish director…
Maybe Our Land, Lucrecia Martel’s new film, reminds me of Edits, Chuquimamani-Condori’s 2025 laptop dump of DJ edits, simply because I listened to the latter…
Arnaud Desplechin cares very little for narrative cohesion. In a career filled with elliptical, loose threads as films, Two Pianos finds the director at his…
Los Angeles Festival of Movies (LAFM) wrapped its third edition a couple weeks ago, and festival co-founders Micah Gottlieb and Sarah Winshall have made incremental…
Early on in Francesco Sossai’s wistful, funny The Last One For The Road, a German tourist at a bar declares that he’s here to see…
Few manga adaptations are as alive as Sho Miyake’s Two Seasons, Two Strangers. There are no bright, poppy explosions of color or wacky antics within…
It’s never easy admitting that you’re getting old. As we round the corner into the mid-2020s, an entire generation has to reckon with the idea…
A legend like Kiyoshi Kurosawa might not need any introduction, but what you find out when talking with him is that he’s very different from…
To watch a Pete Ohs film is to watch a film unspool right before your eyes. While that may sound obvious — all movies play…
Few filmmakers have the benefit of having real, honest-to-goodness hype around their debut feature. Many of our best talents come out of nowhere with very…
Ben Wheatley has done it all. From humble beginnings with killer indies like Down Terrace and Kill List to Hollywood mega-productions like Rebecca and The…