Luca Guadagnino’s neo-realist farce Artificial presents a parade of dipshits: 1) figuratively, as it introduces us to the careless architects of what many believe is…
In this dispatch: The Debut, For the…
A couple of weeks ago, I went to a screening of Tsai Ming-liang’s Stray Dogs (2013) at the Metrograph in Lower Manhattan. I am a…
Ava DuVernay’s 13th is one of the most influential documentaries of the 21st century, for better or worse. Released at the tipping point between the…
After having seen A Real Pain, one might ascribe a certain set of proclivities to Jesse Eisenberg-as-director: an easygoing affability, a penchant for the gentle…
It would be an exaggeration to call Julia Loktev’s previous documentary, My Undesirable Friends: Part I – Last Air in Moscow, a smash hit. Clocking…
Fourteen years ago, Dan Sallitt burst into the indie film scene with his transgressive, funny, and ultimately sweet, The Unspeakable Act. It wasn’t Sallitt’s first…
Over drinks at a lounge in Hollywood, Chris Rock tells Rosalind Eleazar that if you go anywhere in America, there’s a chance that at some…
In this dispatch: Cameron Winter at…
Geese, for lack of a better word, is good. Heirs apparent to the art-rock mantle, they reign in the arena less because they deserve the…
German director Luise Donschen follows her own path, to put it mildly. Her 2018 debut feature, Casanova Gene, was a daring conceptual project that, in…
Even among the film festival cognoscenti, experimental films sometimes inspire their fair share of confusion. This is to be expected, since the films in question…
In this dispatch: What Can’t Be…
The obvious thing to say about Dan Sallitt’s new film, What Can’t Be Mentioned, is that it can’t be fully appreciated without first seeing its…
As the title would have us to expect, Beatrice Gibson’s At Night is indeed (mostly) a nocturnal film, but Gibson does so much more than…
Having seen all six Currents shorts programs at this year’s New York Film Festival, Program 3: Surface Noise emerged as the most successful of the…
In this dispatch: Behemoth!, Bardi…
Alex Serian has been away for a long time. At the start of Tony Gilroy’s Behemoth!, the gifted cellist (played with great commitment by Pedro…
There is a certain expectation that comes with a film’s selection for the Currents section of the New York Film Festival, not least because the…
It’s taken a while for cinephiles (including this writer) to catch up with the Vienna-based filmmaking duo of Tizza Covi and Rainer Frimmel. Their profile…
In this dispatch: Possible Love, Heil…