January 2025 brings with it a slight tweak to our format at InRO. Still featured will be all of the content we've made it our mission to deliver, but packaged a little differently and delivered according to a new timeline. Throughout the month, you'll still find us dropping our fantastic writers' work in interviews, essays,
YEAR IN REVIEW BEST FILMS OF 2024 ESSAYS THE FLEAS OF PETTICOAT LANE: JURASSIC PARK, FROM PAGE TO FILM FEATURE BY: Milo Garner IMMORTALITY…
INTERVIEWS PART OF THE STORY: AN INTERVIEW WITH JOHN SMITH FEATURE BY: Zach Lewis FILM DOESN’T TAKE ANY PRISONERS: AN INTERVIEW WITH RICHARD TUOHY…
ESSAYS A COLLISION OF TICKS: MIKE LEIGH’S HARD TRUTHS FEATURE BY: Milo Garner A SOCIETY SHAPED MONSTER: THE TEXAS CHAIN SAW MASSACRE AT 50…
ESSAYS A MAN CHISELING AWAY AT STONE: ANTHOLOGY FILM ARCHIVES’ ROBERT BEAVERS RETROSPECTIVE FEATURE BY: Andrew Reichel THE THIEF TURNS BARDIC: ON RAJ KAPOOR’S…
ESSAYS A MANDATED PSYCHOSIS: ON PETER WATKINS’ THE JOURNEY FEATURE BY: Alex Lei INTERVIEWS INTIMACY ON A BIG SCREEN: AN INTERVIEW WITH INDIA DONALDSON…
ESSAYS TEMENOS 2024: ENIALOS, ORDERS XV-XVIII FEATURE BY: Andrew Reichel SOUND AND VISION IN ABEL GANCE’S NAPOLEON FEATURE BY: Milo Garner INTERVIEWS A WAY…
ESSAYS WORLD WIDE WEB OF DREAD: HORROR FROM THE YEAR OF THE WEB, 30 YEARS LATER FEATURE BY: Mike Thorn CRAFT AS POLITICAL PRAXIS…
ESSAYS THE IMAGE AND THE AFTERGLOW: JANE SCHOENBRUN’S I SAW THE TV GLOW FEATURE BY: Frank Falisi THE JOY OF THEIR MAKING: THE FILMS…
ESSAYS UNPLUGGING THE EMPATHY MACHINE: HIROKAZU KORE-EDA’S MONSTER AND RYÛSUKE HAMAGUCHI’S EVIL DOES NOT EXIST FEATURE BY: Theo Rollason SATURDAY NIGHT AT THE BATHS FEATURE…
ESSAYS A SYNONYM FOR BELIEF: TENET AS FUGUE FEATURE BY: Milo Garner THE STUFF OF NIGHTMARES: SEX ON SCREEN AND IT FOLLOWS AT TEN…
RETROSPECTIVES #STRIKEGERMANY BERLINALE COUNTERPROGRAMMING: WRITINGS ON SELECTED WORKS FROM THE PALESTINIAN FILM ARCHIVE ARTICLE: Over Their Dead Bosies & The Upper Gate [Arab Loutfi]…