December Reviews Week of November 30 Blockbuster Beat Kill Bill: The Whole Bloody Affair — Quentin Tarantino December 5, 2025 by Ethan J. Rosenberg Read Review Genre Views 100 Nights of Hero — Julia Jackman December 5, 2025 by Robert Stinner Read Review Genre Views Dust Bunny — Bryan Fuller December 12, 2025 by Jake Tropila Read Review Horizon Line Suburban Fury — Robinson Devor December 5, 2025 by Travis DeShong Read Review Before We Vanish Man Finds Tape — Paul Gandersman & Peter S. Hall December 5, 2025 by Jake Tropila Read Review Streaming Scene Oh. What. Fun. — Michael Showalter December 3, 2025 by Robert Stinner Read Review Spotlight Cover-Up — Laura Poitras & Mark Obenhaus December 5, 2025 by Clara Cuccaro Read Review Horizon Line The Chronology of Water — Kristen Stewart December 5, 2025 by Christian Craig Read Review Before We Vanish Little Trouble Girls — Urška Djukić December 5, 2025 by Daniel Allen Read Review Genre Views Jujutusu Kaisen: Execution — Shota Goshozono December 5 by Jake Tropila Read Review Genre Views The Wailing — Pedro Martín-Calero December 5, 2025 by Morris Yang Read Review Horizon Line Rosemead — Eric Lin December 5, 2025 by Morris Yang Read Review Spotlight A Private Life — Rebecca Zlotowski December 5, 2025 by Clara Cuccaro Read Review Week of December 7 Blockbuster Beat Ella McCay — James Brooks December 12, 2025 by Chris Cassingham Read Review Spotlight Resurrection — Bi Gan December 12, 2025 by Morris Yang Read Review Spotlight La Grazia — Paolo Sorrentino December 5, 2025 by Andrew Dignan Read Review Spotlight Dead Man’s Wire — Gus Van Sant December 12 by Andrew Reichel Read Review Genre Views It Ends — Alexander Ullom December 15 by Jake Pitre Read Review Horizon Line The Mysterious Gaze of the Flamingo — Diego Céspedes December 12, 2025 by Robert Stinner Read Review Horizon Line Atropia — Hailey Benton Gates December 12, 2025 by Christian Craig Read Review Before We Vanish Europe’s New Faces — Sam Abbas December 12, 2025 by Dhruv Goyal Read Review Horizon Line The President’s Cake — Hasan Hadi December 12, 2025 by Padaí Ó Maolchalann Read Review Genre Views Silent Night, Deadly Night — Mike P. Nelson December 12, 2025 by Jake Tropila Read Review Horizon Line Franz — Agnieszka Holland December 12, 2025 by Michael Sicinski Read Review Week of December 14 Blockbuster Beat Avatar: Fire and Ash — James Cameron December 19, 2025 by Matt Lynch Read Review Spotlight Is This Thing On? — Bradley Cooper December 19, 2025 by Abe Beame Read Review Streaming Scene The Great Flood — Kim Byung-woo December 19 by Joshua Polanski Read Review Horizon Line The Voice of Hind Rajab — Kaouther Ben Hania December 19, 2025 by Padaí Ó Maolchalann Read Review Week of December 21 Spotlight Marty Supreme — Josh Safdie December 25 by Dylan Adamson Read Review Spotlight The Testament of Ann Lee — Mona Fastvold December 25, 2025 by Andrew Dignan Read Review Blockbuster Beat Song Sung Blue — Craig Brewer December 25, 2025 by Matt Lynch Read Review Blockbuster Beat The Housemaid — Paul Feig December 19 by Andrew Dignan Read Review Horizon Line The Plague — Charlie Polinger December 24, 2025 by Morris Yang Read Review Spotlight Father Mother Sister Brother — Jim Jarmusch December 25 by Ethan J. Rosenberg Read Review Spotlight No Other Choice — Park Chan-wook December 24 by Joshua Bogatin Read Review Featured Articles Best Films of 2025 Year in Review Best Films of 2025 December 23, 2025 by InRO Staff Read Feature Interviews Interview The Pursuit of Autonomy & Freedom: A Conversation with Bi Gan on Resurrection December 16, 2025 by Padaí Ó Maolchalann Read Feature Essays Essay Screams Still Echoing: On David Lynch’s Twin Peaks: The Return December 4, 2025 by Mathias Fuelling Read Feature Essay The Sea Edits: Jean Epstein at Viennale 63 December 8, 2025 by Arta Barzanji Read Feature Essay Knives Out and the Problem of the Movie Whodunit December 10, 2025 by Brendan Hodges Read Feature Essay A Brief in Cliche: In Defense of James L. Brooks’How Do You Know December 12, 2025 by Kenny Nixon Read Feature Essay Black Christmas: Haunted by Absence December 22, 2025 by Alexandra Zaragoza Read Feature Festival Coverage Festival Coverage Singapore International Film Festival December 2025 by Morris Yang Read Feature Kicking the Canon Kicking the Canon A Destablized Melodrama: Douglas Sirk & All That Heaven Allows December 28, 2025 by Chris Cassingham Read Feature inro-monthlySlider 0 Related Posts Moulin — László Nemes [Cannes ’26 Review] May 19, 2026 Her Private Hell — Nicolas Winding Refn [Cannes ’26 Review] May 19, 2026 Is God Is — Aleshea Harris [Review] May 19, 2026 Bones in the Ground: John Ford’s The Searchers at 70 May 19, 2026 Different Versions of How to Move On: An Interview with Patrick Wang May 18, 2026 Obsession — Curry Barker [Review] May 18, 2026 Comments are closed.
Interview The Pursuit of Autonomy & Freedom: A Conversation with Bi Gan on Resurrection December 16, 2025 by Padaí Ó Maolchalann Read Feature
Essay Screams Still Echoing: On David Lynch’s Twin Peaks: The Return December 4, 2025 by Mathias Fuelling Read Feature
Essay Knives Out and the Problem of the Movie Whodunit December 10, 2025 by Brendan Hodges Read Feature
Essay A Brief in Cliche: In Defense of James L. Brooks’How Do You Know December 12, 2025 by Kenny Nixon Read Feature
Kicking the Canon A Destablized Melodrama: Douglas Sirk & All That Heaven Allows December 28, 2025 by Chris Cassingham Read Feature
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