Credit: Lionsgate Blockbuster Beat• by Matt Lynch• Featured• FilmMoonfall — Roland Emmerich February 3, 2022
![Well, it feels sort of trivial to talk about movies right now, and as such we're a little behind on Instagram. But we did publish a piece yesterday dissecting P.T. Anderson's 2010s run (in honor of his birthday this weekend). Peep it if you need a distraction from the fact that the U.S. is now 1934 Germany. Byline: @toastyp3ngu1n
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@treshongdavis talks #CIVIL, that new #BenCrump flick: "That very tension runs through the heart of CIVIL, which strives to be a personal examination but falls short of striking bedrock. Yet Hallgren’s moving direction rousingly channels Crump’s ethos to uplifting and ultimately winning effect."
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Kevin Hart & Woody Harrelson have a movie on Netflix about about them doing some Hart & Harrelson shit. @stevenwarner1980 talks about it: "[#TheManfromToronto is] a light but refreshing blast of mid-summer fun that would play like gangbusters [in theaters.]"
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#TheBlackPhone is in theaters. @mollyadams2408 is all in: "After [a deluge] of self-serious horror movies about trauma & family & fill-in-the-blank metaphors, a back-to-basics horror-thriller with a sly visual hook & solid performances is a welcome respite"
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