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Hirokazu Kore-eda

Photo: Film at Lincoln Center
by Steven Warner Film Horizon Line

The Truth | Hirokazu Kore-eda

Hirokazu Kore-eda feels distinctly uninterested in his own material here, a sentiment sure to be echoed by audiences. Japanese filmmaker Hirokazu Kore-eda has consistently shown an affinity for highlighting the often fractured dynamics that exist within families both real and manufactured, from 1995’s Maborosi to 2018’s Palme d’Or-winning Shoplifters.…

by Paul Attard Film Horizon Line

Shoplifters | Hirokazu Kore-eda

While it won the prestigious Palme d’Or at this year’s Cannes Film Festival, there’s nothing especially radical about Shoplifters that sets it apart from the other domestic dramas that Hirokazu Kore-eda has made over the years. The new film lacks the complexity of Still Walking, keeps the frantically cramped visual…

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