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Hou Hsiao-hsien

by Lawrence Garcia Film Kicking the Canon

A City of Sadness | Hou Hsiao-hsien

If A City of Sadness represents Taiwanese director Hou Hsiao-hsien’s greatest achievement to date — an assessment that its Venice Golden Lion and long-standing reputation would seem to support — this is in part because Hou’s oblique, elliptical approach to narrative creates an astounding frisson with the film’s…

by InRO Staff Feature Articles Film Year in Review

Top 10 Films of 2015

A typical year spent traversing the cinematic landscape results in straddling some kind of line: one foot confidently marches off into the future while the other remains firmly planted in the past. Innovation is an organic byproduct of any artform, but so is adherence to a certain classicism, and 2015…

by InRO Staff Feature Articles Film Year in Review

Top 10 Performances of 2015

Evaluating performances is such a deeply subjective endeavor that finding a meaningful consensus can often feel like an impossibility. Truly extraordinary ones tend to work in lockstep with their respective films in ways that less impactful ones don’t, but in these cases sometimes that means our…

by Sam C. Mac Film

The Assassin | Hou Hsiao-hsien

At the core of Hou Hsiao-hsien’s cinema is a deep investment in the rift formed between an independent Taiwan and a possessive mainland China. Tender stories of unrequited romance (Three Times, Flowers of Shanghai) become bracingly political, and coming-of-age stories (The Boys from Feng Kuei, Millennium…

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