In This Issue:

FEATURES:
Festival Coverage — Sundance 2023, including:
MAMACRUZ (Patricia Ortega) by Morris Yang   //   Gush (Fox Maxy) by Micheal Sicinski   //   The Night Logan Woke Up (Xavier Dolan) by Esmé Holden   //   Other People’s Children (Rebecc Zlotowski) by Sarah Williams   //   Young. Wild. Free. (Thembi L. Banks) by Andrew Dignan   //   In My Mother’s Skin (Kenneth Dagatan) by Fred Barrett   //   Last Things (Deborah Stratman) by Ryan Akler-Bishop   //   Against the Tide (Sarvnik Kaur) by Daniel Gorman   //   Joyland (Saim Sadiq) by Shar Tan   //   Kim’s Video (David Redmon, Ashley Sabin) by Matt Lynch   //   Squaring the Circle (Anton Corbijn) by Selina Lee   //   La Pecera (Glorimar Marrero Sánchez) by Autumn Parker

Kicking the Canon: The Texas Chain Saw Massacre (Tobe Hooper) by Autumn Parker

FILM REVIEWS:
Infinity Pool (Brandon Cronenberg) by Andrew Dignan   //   Close (Lukas Dhont) by Esmé Holden   //   Geographies of Solitude (Jacquelyn Mills) by Igor Fishman   //   The Wandering Earth II (Frant Gwo) by Sam C. Mac   //   Shotgun Wedding (Jason Moore) by Steven Warner   //   Petit Mal (Ruth Caudeli) by Sarah Williams   //   The Lair (Neil Marshall) by Daniel Gorman   //   To Leslie (Michael Morris) by Steven Warner

ALBUM REVIEWS:
12 (Ryuichi Sakamoto) by Fred Barrett   //  Stamp On It (GOT the Beat) by Kayla Beardslee   //   Does Spring Hide Its Joy (Kali Malone) by Andrew Bosma