McKee’s latest might be enough for his diehard fans, but its stretched runtime makes any interesting happenings too little, too late. Lucky McKee’s best…
Summit Fever could have climbed to better heights, but it’s base-level take leaves it just a cheesy, overlong mess. With rock-climbing films steadily entering…
Project Wolf Hunting is a symphony of wanton destruction, a splatter-heavy genre mash-up that’s so cartoonishly garish as to become absurdly funny. A symphony of…
Piggy is a startlingly visceral and bloody affair happy to indict and wreak revenge upon a toxic modern society. The pros and cons of virtual…
Terrifier 2 is a breath of fresh horror air, hilarity, melodrama, brutality, and unhinged schtick rolled into one grisly package, all of it supported by…
Smile is an obnoxious attempt at subverting trauma horror, sunk not only by its own smug conceit but also its failure to capitalize on its…
Masking Threshold is one of the best films ever conceived about what it means to be terminally online, though its final act turn toward more…
Jeepers Creepers: Reborn is an inane and butt-ugly franchise continuation that delivers exactly nothing to the hordes of nobody who asked for it. Jeepers Creepers:…
Dead for a Dollar is another failed Western outing from Walter Hill, a well-intentioned but visually shoddy film that sags whenever its action disappears. After…
Vesper is undeniably indebted to a long lineage of sci-fi antecedents, but its peculiar character and keen visual style keeps this a cut above your…
A jumbled mess of clichés and empty symbols in search of deeper meaning, Mona Lisa and the Blood Moon does little more than usher viewers down…
Pearl doesn’t indulge the same genre thrills as X, but it does deliver an idiosyncratic, bloody little chamber piece that succeeds in a different but undeniable…
See How They Run is an amiable, nerdy romp that draws upon theater history, Agatha Christie, and even Wes Anderson to create a jaunty exercise…
God’s Country is an arrogant and painfully writerly project that is only occasionally uplifted on the strength of its visual flourish. A classic sort…
Speak No Evil is a grueling experience in the best possible sense, punctuating by a giddily mean-spirited and pitch-perfect ending. Like an unholy amalgamation of…
House of Darkness absolutely butchers its attempt at a female empowerment tale, landing somewhere between overtly offensive and appallingly stupid. It’s feast or famine when…
Saloum is an absolute blast, packed with pleasant genre surprises and announcing a major new filmmaker in Jean Luc Herbulot. Part of the joy…
The Invitation perhaps could have actually been surprising if marketing hadn’t spoiled its game, but there’s unfortunately not much else for viewers to have…