If The Freewheelin’ Bob Dylan proved that Bob Dylan could do anything and everything, The Times They Are a-Changin’ proved that he could hone in on doing one thing very well. It’s less about breadth than depth, in other words, with Dylan removing most of the humor, romance, absurdity, and goofy fun and doubling…
Though it’s a truth that’s now largely forgotten, at least among the young and the terminally hip, Rod Stewart was once a pretty righteous cat — foremost among interpretive singers and endowed with gangbuster rock and roll bonafides primarily, perhaps, from his role as frontman for the Faces, as gloriously disheveled, shambolic,…
There were times during this especially tumultuous year when it seemed as if the world at large was on the verge of collapsing. A whole commercial jetliner seemingly disappeared without a trace, leading some ostensibly serious news outlets to put forth honest-to-god inquires about the possibility of supernatural…
With the recent Twilight series, the vampire myth had gotten caught in a rut, burying what had been an endlessly, richly expanding legend in a cesspool of teenage angst and not terribly inspiring romance. One couldn’t be blamed for looking at vampires with a sense of weariness as…
After two Hunger Games films setting the stage for revolution in the future dystopia of PanEm, audiences are apparently finally ready for a third film setting up a feature-length climax evidently to be offered next year. In the fine tradition of modern studio-franchise moviemaking, The Hunger Games: Mockingjay — Part…
With The Homesman, Tommy Lee Jones’s torch-carrying efforts on behalf of the tried-and-tested beauty of the American West continue to be moving. Taking into account his feature appearance as a practical spokesperson for old western values in the Coen Brothers’ No Country for Old Men, his reverent direction…
Alexandre Aja is an exhausting filmmaker. The director, whose ultraviolent, viscerally gory High Tension stands as one of the most notorious films in the infamous New French Extremity canon, has a maximalist style, a sort of throw-everything-at-the-wall-and-hope-something-sticks approach that yields twice as many miscues for every moment of batshit brilliance.…
Jorge R. Gutierrez wants to teach people about his heritage. He also wants to make colorful, energetic animated films to dazzle a wide audience. With The Book of Life, Gutierrez manages to scratch both itches at once. It’s his first credit as a director and his sixth as…
Just as much an essential piece of historiography as it is a poetic, ruminative look at the effects of folklore on the Eastern European condition, Jessica Oreck’s eminently perceptive documentary The Vanquishing of the Witch Baba Yaga serves a narrative double-duty. As a visual introduction to the ways…
If I’m overloaded on caffeine and discussing the virtues of Keira Knightley with a random Italian woman, it must be that time of year again. Yes, I’m at my fourth London Film Festival, having now established myself as a long-term resident of the U.K. capital. The festival is…
There’s a moment near the end of the second act of Damien Chazelle’s sophomore feature Whiplash that threatens to completely derail the narrative: a character gets into what looks like a fatal car accident and keeps moving like he’s the Terminator. But that moment also liberates the film…
David Fincher’s Gone Girl immediately announces its intentions to deconstruct everyday images with a deceptive opening-credits sequence consisting of shots of empty houses, “for sale” signs, back alleys, and closed-up storefronts. Sure, there could be a socioeconomic subtext, some “How We Live Now” statement in this montage, but…
With a film festival as stacked to the gills as the TIFF, thematic trends are bound to pop up. Last year, doppelgängers appeared to be a trend, with films like Enemy, The Double and A Spell to Ward Off the Darkness. This year, with the first three films…
Another year, another insanely packed Toronto International Film Festival. While there are certainly titles premiering at TIFF this year that interest me, my festival experience so far has mostly been spent catching up with titles that played at Cannes, which, sadly, I was unable to attend this year…
The first thing you may notice about Jersey Boys is the lighting—or more specifically, the light sources. Set mostly in darkened rooms that look as if all the air’s been sucked out of them, numerous shot point to light sources in the foreground: table lamps at a nightclub, spotlights shining…
Edward Yang has often been lumped in with the “slow cinema” of his Taiwanese compatriot, Hou Hsiao-hsien. And it’s true that Yang’s 2000 film, Yi Yi, moves quite slowly, basking in wide shots and long takes, and impressing upon the viewer a deliberate, contemplative tempo. But that film represents a logical maturation of the relatively livelier A Brighter…
For a while, it seemed like 2013 had front-loaded its highlights; many films making our Top 20 either played the festival circuit in 2012 before finally getting their official theatrical runs Stateside (Like Someone in Love, Frances Ha, and our top pick) or they premiered in May of this…
Today marks the return of Walter Hill to the big screen—with the Sylvester Stallone-starring Bullet to the Head, the director’s first theatrically released film since 2002’s Undisputed. His two-hander action poetry has surely been missed; it’s the kind of tough, taciturn, no-nonsense genre filmmaking that’s frequently dismissed by middlebrow critics and sorely…
All one need do is look at the many and varied riches cinema had to offer in 2012 to disprove the crowing — yes, once again this year — from certain quarters about the “death of cinema.” Digital may be overtaking celluloid as the medium of choice for…
Abbas Kiarostami has mostly stayed away from love stories—he tends to find it impossible in his films to recreate situations that even remotely hint at intimacy, his art being so closely monitored by authorities whose conservative religious values disallow any such representation. Through the Olive Trees is the closest…
But let’s not fool ourselves into believing that the original TRON was ever anything more than a curious novelty with some then-groundbreaking special effects. The story of video game designer Flynn (Jeff Bridges) who, while attempting to exact revenge on the software corporation that stole his work, is actually…