In his introduction to Olivier Assayas’ autobiographical essay/memoir A Post-May Adolescence: Letter to Alice Debord, Adrian Martin writes that “Assayas has always identified himself…
Stephen Daldry’s new Holocaust picture is the sort of film often released around this time of year; sobering, sweeping and punctuated by swooping violins…
Call Ari Folman’s Waltz With Bashir — a compendium of recollections and remembrances of an old man (Folman), concerning the massacre of Lebanese citizens…