You actually get two movies in In the Heart of the Sea. One is a reasonably tight seafaring adventure yarn based on the true…
The biggest surprise of Brooklyn is how determinedly sweet it remains to the end, its period vibrancy bordering on the genteel. In navigating the push-pull narrative of…
Joy begins with an on-screen dedication to “daring women” and a scene from a hypothetical cheesy soap opera in which two women argue about…
Combining what some have called his propensity for “arthouse miserablism” in films like Babel or Biutiful with a newfound fetish for conspicuous formal audacity…
Period homages or allusions to Hollywood’s past can be diminished without a new perspective to contextualize them. This is to say, reviving a given style can be limiting without…
One of the brainiest guys in jazz, Brad Mehldau is likened to classical composers as often as he is boppin’ piano men; he is…
After surviving multiple rounds of teenage gladiatorial combat, inadvertently inciting an armed uprising, and becoming a media darling and symbol for revolt against a…
An oft-stated yet just as oft-forgotten fact about Harry Smith’s Anthology of American Folk Music? Chronicle of backwoods American weirdness though it may be, it’s…
The re-emergence of the culinary arts as part of the zeitgeist has been an evolving narrative for the past decade, most noticeably found on…
Over the years the James Bond movies have fought to stay relevant in one way or another. Look at some of Roger Moore’s more…
Ma (Brie Larson) and her five-year-old son Jack (Jacob Tremblay) live in Room, the backyard shed of a man who has kept Ma (real…
Those who’ve seen James Marsh’s superior 2008 documentary Man on Wirewill be familiar with most of the narrative territory explored in Robert Zemeckis’s faithful…
Guillermo del Toro’s sympathies have always been with his orphan, discarded monsters: the aging vampire in Cronos, the beautiful, malevolent creatures of Pan’s Labyrinth, or the…
It’s hard to tell if Steve Jobs is better or worse for its general avoidance of “how we live now” handwringing. Even The Social Network, to which…
It’s not new to describe Steven Spielberg as a sort of father figure in Hollywood filmmaking. A film like War of the Worlds, just to take a…
At the core of Hou Hsiao-hsien’s cinema is a deep investment in the rift formed between an independent Taiwan and a possessive mainland China. Tender…
Everest is based largely on Jon Krakauer’s Into Thin Air, a true-life tale of survival and death atop the titular mountain that is, at its core,…
In addition to the spectacle of characters struggling to outlast the elements, survival-specific adventure films typically involve some sort of additional antagonist. Some guy’s…