One Fine Morning Stepping back from Cannes’ main competition in favor of the somewhat cooler (in 2022, anyhow), awards-less Directors’ Fortnight lineup, Mia Hansen Løve…
Tori and Lokita Even by their standards, Jean-Pierre and Luc Dardenne’s Tori and Lokita is a relatively to-the-point affair. Set in an unnamed Belgian city,…
War Pony The past decade suggests an encroaching — or, perhaps at this point, arrived — renaissance in Indigenous art. Regardless of the medium, native…
Triangle of Sadness Like its titular metaphor, Ruben Östlund’s follow-up to his caustic and controversial Palme winner unfurls in cryptic yet characterizable fashion; in physiognomy,…
Pacifiction A favorite at Cannes for several years now, self-styled arthouse rockstar Albert Serra has had a dependable home th festival since his (narrative) debut…
Don Juan Serge Bozon’s follow-up to Madame Hyde (2017), Don Juan seems to continue that film’s revisionist update of a classic tale, while also returning in…
Final Cut Though remakes of beloved films are usually met with some degree of warranted skepticism, sometimes the combination of director and material is too…