The specter of Alfred Hitchcock’s Vertigo (1958) looms large over Chantal Akerman’s The Captive (2000). At times, it’s to such an extent that it…
The playfulness of Chantal Akerman is, throughout her work, always nebulous. A smile, a laugh, a tall-standing stride: these do not signify transparent gestures,…
The Last Word from Your Editor, Sam C. Mac: With the 2010s officially over, the time seems right for another departure: after 12 years…
The Last Word from Your Editor, Sam C. Mac: With the 2010s officially over, the time seems right for another departure: after 12 years…