Dracula Radu Jude is aiming for nothing less than the grand finale of vampire movies with his Dracula, and as a Romanian, why shouldn’t he…
At the beginning of Lucrecia Martel’s first feature-length documentary, Landmarks, we’re presented with satellite images of Earth. From this zoomed out perspective, there are no…
Master Gardener In hindsight, Paul Schrader’s career has been a repeated jettisoning and reappropriation of extraneous artiness, new off-kilter filmic shapes of inscrutable quality emerging…
Camarera de piso — Lucrecia Martel’s latest short, commissioned as part of The National Autonomous University of Mexico’s Síntesis project — comes with a curious…
The Novelist’s Film One of the most pleasurable ways to engage with a Hong Sang-soo film is to consider the similarities and differences between each…
Antonio di Benedetto’s novel, Zama, is renowned for its simplicity, with most paragraphs a mere sentence in length; Lucrecia Martel’s film adaptation is full of detail. Where…
Yesterday, we presented our Top 10 Albums of the Year (So Far). Today, we do the same for film — which also gives us the chance to…