Dance Fever doesn’t deliver much danciness, but it does reflect an appealingly intimate pivot for Welch and co. After a four-year gap, Florence + the…
The Yearbook immediately situates Baby Queen at the fore of contemporary pop. Baby Queen (real name Arabella Latham) debuted in the pop music scene in 2020…
Lana’s latest seems destined to be lost among grander statements, but is nonetheless another worthy work of self-exploration from one of music’s most introspective stars.…
Ellie Goulding’s latest sees her transition from pure chart persona to an assured pop artist. In the five years since her last album, the excellent…
Translation is an unimaginative record of lazy appropriation and weak production. To put it as eloquently as possible: the Black Eyed Peas are stupid. That’s not…
Notes on a Conditional Form is a marathon of an album and the latest evidence of The 1975’s status as a singles band. With Notes…
James Blake sings the quiet parts loud; now a decade into his career, his arc is best charted through the evolution, and presentation, of his own introversion. Blake’s…
“Who said it was easy?/They can never stop we” sings the most put-upon recording artist of the last decade — an artist who’s never stopped…