Terence Davies’ Benediction is beautifully melancholic work, one that bursts benevolently onto the screen with immense feeling. The cinema of veteran English auteur Terence Davies…
Memoria Frequent In Review Online contributor Evan Morgan once posited a more refined version of the slow cinema paradigm that has come to dominate festival…
The Last Word from Your Editor, Sam C. Mac: With the 2010s officially over, the time seems right for another departure: after 12 years (with…
The finest films of 2017 simultaneously offered us a respite from, and a deeper reflection on, our fraught and fractured social and political realities. In…
Deviating from protocol a bit with our timing (we swear we know when the halfway point of the year is), the following list is nonetheless our…
Though Terence Davies was absent from the Vancouver International Film Festival in 2015, his Emily Dickinson film A Quiet Passion makes its appearance this year…
The 35th Vancouver International Film Festival is past its halfway point and continues to deliver a refreshingly varied cinematic slate. This second dispatch covers three…
All one need do is look at the many and varied riches cinema had to offer in 2012 to disprove the crowing — yes, once…